Angels in the Outfield Reviews
This movie is different from the 1994 Disney film.
The emphasis is on the coach and the reporter and a little on the girl who can see angels. The angels are never seen and the baseball game is never really shown too much except in close ups and medium shots. Not much is shown in wide shots.
In the 1994 film the players, kids and angels are given a stronger part in the film. There was more developed on the characters.
This film is told from the Coaches perspective the strongest. The other aspects are touched only to help further the coaches story. In the 1994 film it is told from the kids perspective.
I think that baseball as far as the plays is not shown very much compared to just mentioned in discussion and what is seen tends to be talking parts rather than the game showing the action.
In this film we never see the angels. Only told by the girl what is told and the coach hears to voice of the angel.
The coaches credibility is questioned for seeing angels and fighting.
I don't think that this film hits the emotional feelings like the 1994 film in comedy and sadness.
The girl is in a church nun run orphanage with a lot of kids.
This film saves money by not showing action but tell story by what people say they see and lots of speaking parts to drive the scene telling you what had or is happening without showing anything.
This film emphasis the relationship of the female reporter and the coach.
Joe DiMaggio, Ty Cobb, Bing Crosby cameos
The showdown lowdown: Less pyrotechnics, more heart.
*** This review may contain spoilers ***
I like to compare 'It Happens Every Spring' with 'Angels in the Outfield' as they were filmed within two years of each other (1949 and 1951), are both about baseball and feature Paul Douglas in key roles. 'Spring' is a vastly superior film in almost every way. The protagonist, Vernon K. Simpson, played by Ray Milland, is a chemistry professor who, as a result of an accident, gains access to a wood repellent formula which he uses to become a star pitcher. It's a great fish out of water story where the introverted professor is thrust into the gruff baseball world, and must prove his mettle amongst street smart ballplayers. Douglas plays ally Monk Lanigan, a catcher who looks after Vernon, but is constantly at odds with him since the star pitcher is determined to keep his identity a secret so that his girlfriend and her father (the dean of the school), don't find out what he is up to.
In contrast, Douglas' role in 'Angels' is virtually a passive one. Here he's 'Guffy' McGovern, manager of the last place Pittsburgh Pirates, who has a chip on his shoulder. Throughout the first third of the movie, he's as mean as the film's antagonist, sports announcer Fred Bayles (Keenan Wynn) who's bitter after being canned as the Pirates' radio announcer at the behest of Guffy. Nothing is endearing or interesting about the Guffy character and one wonders why any club owner would keep such a surly person in charge of a baseball team (he's constantly berating his players after each game due to their poor play). Why is he so mean-spirited? The answer is simplistic: we find out much later on that apparently he was ditched by a woman for another ballplayer in his younger days!
Unlike Ray Milland's pitcher, who must actively overcome personal demons through self-actualized behavior, all Guffy has to do is to listen to an (unseen) angel in the outfield at the old Forbes Field Pirate ballpark advise him to keep his foul language in check and act a bit more graciously toward his fellow man; in exchange, through heavenly intervention, a few of the Pirate miscues in each game are reversed, resulting in the team's sudden improvement in the standings. All it takes is a Pirate winning streak and good old Guffy is no longer playing the part of the team misanthrope. Since Guffy is transformed into a good guy so early on in the film, the internal arc (self-conflict) is resolved.
Now with Guffy 'defanged', the rest of 'Angels' mainly features a polemic in favor of religion, pitted against scientific rationalism. Little Bridget White, a nine year old clairvoyant, is soon trotted out and she's the only one who can actually see the angels in the outfield. Also in the mix is the Mother Superior who's looking after little Bridget at the orphanage (the 'tough as nails' sister, is reminiscent of the nuns in 'The Sound of Music' who spunkily remove a spark plug from a car and prevent the Nazis from going after the fleeing Von Trapp family). Guffy is accused of being flat out crazy and the Commissioner of baseball is called in to determine whether he's acting toward the 'detriment' of the game. A creepy psychiatrist is cross-examined by the ever-belligerent broadcaster Bayles but both are made to look by fools when a Protestant Minister, a Rabbi and Catholic Priest testify in Guffy's defense--they argue that angels are certifiably real since they are referred to numerous times in both the Old and New Testaments.
After Guffy gets into a fistfight with Bayles, the angel concludes that he hasn't quite learned the lesson of 'turning the other cheek'. They'll be no more 'miracles' for the Pirates and they're now forced to win one last game for the pennant without heavenly intervention. Guffy must now put his 'faith' in a veteran pitcher whose performance of late has not been up to snuff. Of course the veteran bears down and ends up winning the game for his fellow Pirates. One additional happy-ending: Guffy will marry newspaper columnist Jennifer Paige (Janet Leigh) and they'll end up adopting little Bridget.
Speaking of Ms. Leigh, in her younger days, she certainly was most pleasing to the eyes--except here has little to do in this film; except perhaps cook dinner for Guffy and hug little Bridget, as the two cheer on the Pirates from the stands.
'Angels' has only one thing up on 'It Happens Every Spring': Many of the scenes were shot at the actual Forbes Field ballpark, effecting a visual verisimilitude the latter film lacks. In addition, 'Angels' sports cameos from both the sports and entertainment worlds including brief interviews with such 'luminaries' as Joe DiMaggio and Bing Crosby.
It's revealed at the end of the film that the angels actually are famous deceased ballplayers such as Babe Ruth and Christy Matthewson. It would have been nice if we could have actually seen the angels and the story would have been enhanced if they were given some kind of personality. Somehow, when we do hear the angel's off screen voice, those scenes don't work precisely because there's nothing happening that's visually interesting.
A good film needs to have both a strong internal and external arc. Unfortunately, there are no twists and turns once Guffy 'sees the light'. Couple that with an antagonist who has no charm, a protagonist who early on is just as surly and a storyline that rather makes an unconvincing case for the ascendancy of religion (i.e. spirituality) in modern life, Angels in the Outfield ends up failing on both counts.
Baseball is hardly the type of arena which should be equated with the world of the spirit. Despite also being a fantasy, 'It Happens Every Spring' has no illusions about the rough and tumble world of our national pastime. Why not catch it instead of the sentimental 'Angels in the Outfield'?