The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Ominous, operatic, often emulated but never equaled. This is go-for-broke, GOAT-level filmmaking - not only upending expectations but exceeding them with unanticipated success in its elegant, exciting examination of existential and emotional entropy.
When Pacino's loud, bruised cop and De Niro's canny crook stare at each other, you can read something spent and weary in their eyes and voices. The heat is hell. So are their jobs -- but somebody's got to do them.
Just when it seemed that the only hope for crime movies lay in the postmodernist artifice of films like Pulp Fiction, Mann reinvests the genre with brooding, modernist conviction. This one sticks to your gut.
There's nothing really new in this lengthy 1995 thriller by writer-director Michael Mann about cops and robbers in Los Angeles, but it has craft, pacing, and an overall sense of proportion, three pretty rare classic virtues nowadays.
Though punctuated by bursts of virtuoso action, including a running battle in downtown LA that ranks as one of the best action scenes ever filmed, it is the unusual emphasis on character that impresses most.