The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The special nature of this story is its many climaxes that border on false endings and also how Gibson's character responds to the ransom demand of $2 million.... it is Gibson who sells us on it and sells it well.
There are more climaxes in here than in a Swedish blue movie. This is not to say you won't be thrilled, charged up and put through the ringer at times, but your intelligence will need to be shoved under your seat like warm, flat soda.
That's interesting stuff, but it doesn't play out with a lot of smarts. And the opportunity to end Ransom on a creepy note of unpredictability is forsaken for the usual glass-shattering, bullets-flying finale.
Its major sin -- a certain ineluctable improbability -- is pretty much offset by the moments of winsome humanity Gibson finds for his freebooter; by the rich, nicely tuned portrayals of the other actors; and by director Ron Howard.
This is a blueprint for mainstream moviegoing, but be forewarned that the finale is surprisingly down-and-dirty. In this case, though, the violence blisteringly redeems what has been a merely OK thriller.