The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Then there's always Mr. Scofield, bringing an almost unbearable, yet entirely believable, lightness of spirit to his loathsome character. It's a bold stroke by a great actor, making zealotry and evil seem positively beneficent.
I recommend Hytner's movie highly, but a part of me resists a work that makes the audience feel as noble in our moral certainty as the characters it invites us to deplore. Some part of its power seems borrowed from the thing it hates.
Neither the establishing dramatic linchpin nor the final conversion of conscience is terribly convincing, leaving this pared-down rendition of the original work diminished in power and meaning as well.
Despite these involving moments, The Crucible finally seems too schematic, more useful as an allegory than as drama, and possibly owing that undoubted popularity to its simplistic qualities as much as its insights into group psychology.
Though Hytner remains essentially a stage director, he makes fine use of Massachusetts locations and period interiors; some of the visual details recall Dreyer's Day of Wrath, a film that likely had an influence on Miller's play