Imitation of Life Reviews
These are the scenes with real emotional impact in the story, and it's stunning, though not surprising, that neither Beavers nor Washington where nominated for an Academy Award. But Colbert was, even though she was also nominated in the same year for 'It Happened One Night'. How true this trend was 82 years ago, and how true it is today (see 'Creed').
Now it is true that the love story in the movie for Colbert with William Warren is captivating, and it gets complicated when her daughter falls in love with him as well, and despite no wrongdoing on his part, creates a dilemma for Colbert. I liked this twist, it was unexpected and created a little angst for the white characters, who were otherwise in beautiful clothes, sipping champagne, and dancing the night away. However, the resolution of this at the end pales in comparison to the resolution of Beavers' story which precedes it.
The movie is a great snapshot of what pushing the boundaries meant in 1934. On the positive side, you have a single mother shown balancing family and work, and keeping control of her business as it skyrockets. You have Fredi Washington, a light-skinned African-American actress (who in real life disdained 'passing') hired to play the role of Peola, when it was much more common to hire whites. You have Colbert's character inviting Beavers into her home and not showing an ounce of racism as she talks to her, or concern when by hiring her they'll live together. And you have a movie that showed very sensitive racial subject matter, revealing to the audience the real struggle African-Americans go through, and in a way that was thoughtful, not exploitative.
On the other hand, you have Beavers' being simple-minded, superstitious, and wanting to remain subservient to Colbert's, even when they've made enough money and it's no longer necessary. While it underscores her big heart, it also perpetuates a myth, one that is very convenient for Caucasians. Also, because the Hays Code had recently gone into effect, references to Peola being of mixed-race were avoided, because 'passing' itself was already dangerous ground, and the concept of racial mixing was a definite no-no. Her father is simply referred to as having been 'light-skinned'. Just as importantly, a scene in the script depicting a black boy being attacked and nearly lynched for coming up to a white woman was excised; conservative America was not willing to admit this shameful truth.
All in all though, an important film. The Colbert story is cute on its own, but I wish the emphasis had been placed more on Beavers, that it had been a movie more from her viewpoint with the minor character and subplots belonging to Colbert instead. Fair or unfair, I knocked it down a half a star as a result.
The second half of the film has a lot of unnecessary melodrama revolving around the character of Bea (Claudette Colbert) and her love interest, but overall this is an important and interesting flashback to the 1930s.