The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
In terms of modern films, it kicked off a whole list of issue-related multi-character dramas like Syriana, Crash, and Babel -- and it may be the best of all of them, even if some of its stories are stronger than others.
"Traffic" leaps into growing gorges between profit and principle and, from a law perspective, questions the sanity of ramming heads into walls of cocaine bricks. It remains one of the Zeroes' preeminent epics even after policy cinema's shift to terrorism.
By Hollywood standards, this is a decently written, well-made social problem picture, but it's not nearly as harsh, critical and effective as Traffik, the 5-hour British mini-series upon which Gaghan's script is based.
It's wise about different kinds of addiction and concepts of family, about the folly, futility and hypocrisy of anti-drug 'wars', and about the awful human cost of it all. And it grips like a vice from start to end.