The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The whole seems disjointed, incoherent and lacking in the startling originality of the other two Edwards (Scissorhands and Wood) who, half a career back, poured from Burton's distended outsider imagination.
Burton shows the rivalry between father and son but not the rancor, which seems to fit with the film's calm lyricism. But the father-son conflict is meant as the dramatic crux, and a forceful actor would have given it some much-needed bite.
The film doesn't so much reject history as selectively rewrite it to its own reactionary, even offensive ends. This might perhaps be just about tolerable were the film funny, illuminating, insightful or moving. It is not.
The movie has a great deal of charm and several good performances, but it is the son's judgmental doggedness that sets the story in motion and leads to its mawkish conclusion. It's a hurdle I couldn't get over.