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Critic Reviews for Moog
For every insight, there are a half-dozen meandering conversations and unguided reminiscences.
Fjellestad exhibits a playful adoration for the man and the otherworldly sounds of his machine in an intriguing rendering of one of music technology's seminal figures.
Largely, you get to watch a nice old guy waxing philosophical in his beloved vegetable garden, in his workshop or amid city traffic.
The doc focuses exclusively on Robert Moog, and Robert Moog is, well, kind of boring.
A collection of dry interviews and so-so music, it's better suited to public TV than the big screen.
Audience Reviews for Moog
As someone who loves his piano and old Juno-60, I was highly interested in this film's subject matter. But what a disappointment. This film isn't sure whether to be a portrait of Robert Moog or a history of his products, and it fails on both counts. Little chronology of the important Moog artists and albums. Little sense of the Moog keyboard's evolution through the years. Not even much sense of how different knobs and plugs affect the keyboard's output. And the showcased artists seem somewhat arbitrary, as if it was just a case of including those who were easiest to book. I mean, really, if you can't get Wendy Carlos to appear in your Moog documentary, maybe it would be best to just scrap the project. And the climactic scene of Moog playing "Old Man River" on Theremin is wonderful, but it's preceded by a segment on other Theremin players which comes off totally out of sequence (this is a *pre*-synthesizer instrument, after all). Meanwhile, we twiddle our fingers as Moog putters around his garden and kitchen, plays video games in Tokyo and offers cosmic philosophizing on the relationship between musician and instrument which simply isn't too compelling. Note the film's short length -- it *feels* short.
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