The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
If you're thinking that there's not much point in rooting for these ballsy babes all the way because in the end crime doesn't pay, think again, sorta. Because even after they're caught, the fun is really just beginning.
Just when I thought there was no way a movie like this could possibly show me anything new, Money goes and makes Ivan Boesky out of Annie Hall, paints redemption green, and paves the road to heaven with gold. Color me surprised.
What's not to believe? A lot. But asking for bolted logic and dramatic structure in such a movie is about like asking former Fed chief Alan Greenspan to open a mosh pit in Miami. Anyway, the money in the bank here is Keaton.
What force on earth is strong enough to unite an upper middle class suburban housewife, a poor African American single mother and a young, spaced out rock n' roll fan living in a trailer? Why, the opportunity to steal from the government, of course.
Mad Money, a sisters-in-greed heist comedy that's like Fun With Dick and Jane crossed with Set It Off, may be a formula flick, but as directed by Callie Khouri, it gives you a good, infectious dose of its heroines' money fe