The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There's an old saying: 'I wrote you a long letter because I didn't have time to write a short one.' In the case of Mad Money, I'll write a short review because the movie won't sustain a long one. (It barely sustains itself.)
This movie is designed to be fun, and its intentions are signaled to us over and over again, as when the women jump around on a bed, giggling and flinging old, dirty money around in a wanton display of pure idiocy.
Holmes, with Alice Cooper hair and crazy Jim Carrey eyes, looks terrible and acts worse, unless this movie is unintentionally a lobotomy documentary. Whatever could have happened to her in the last couple of years to zap the talent out of her like this?
Mad Money is a comedy caper where the caper's not interesting and the comedy's not funny. Take away those elements and all that's left is a tepid female buddy movie and, like its male counterparts, we've had enough of those to choke a critic.
Mad Money, a sisters-in-greed heist comedy that's like Fun With Dick and Jane crossed with Set It Off, may be a formula flick, but as directed by Callie Khouri, it gives you a good, infectious dose of its heroines' money fe