The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The film doesn't work, and indeed seems to have no clear idea of what its job is, and yet (sigh) there is the temptation to forgive its trespasses simply because it is utterly, if pointlessly, original.
Like Francis Ford Coppola's Youth Without Youth, the film has overarching problems yet contains diamonds of clarity and inspiration that you won't find in any dozen movies. You'll have to mine for those diamonds, though.
Korine's most lavishly produced pic to date begins as a sweet-tempered tale of social misfits-turned-celebrity impersonators, but falls short of its ambition to say something meaningful about the obsessive nature of celebrity culture.
In its slightly comical, somewhat mordant, and completely ambient way, Mister Lonely wonders about the perils of idol worship, the way people can hand their entire selves over to a religion, be it Catholicism or celebrity.
Movies tell the same stories over and over, but I know of only one that evokes mourned innocence in just a three-minute slow-motion shot of a Michael Jackson impersonator and a stuffed monkey aboard a clown bike.