The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Hawkins wears her grin in almost every scene, but she gives us hints that this dizzy 30-year-old is deep, as are the disappointments that might have caused Poppy to don this mask. It's a performance of sustained, childlike wonder and adult wit.
The new Mike Leigh film, Happy-Go-Lucky, is a real pleasure, and besides being Leigh's most buoyantly comic feature it's a marvelous showcase for Sally Hawkins, who has worked twice before with the British writer-director.
Happy-Go-Lucky doesn't provide many insights (even Poppy seems ultimately unsure about whether happiness can be a permanent condition), but it does provide a little joy -- and that's worth celebrating, at the movies and elsewhere.
Sally Hawkins been in movies before, including Leigh's "Vera Drake" and Woody Allen's "Cassandra's Dream," but this is her star-making role. She was named best actress at Berlin 2008. I will deliberately employ a cliche: She is a joy to behold.
The buoyant tone of Leigh's latest, Happy-Go-Lucky, is such an unexpected and welcome change-of-pace. For his part, Leigh is just as grumpy as ever, but he has produced a motion picture that can best be described as optimistic.
We take Mike Leigh's gifts for granted, knowing the collaborative nature of his filmmaking will inevitably produce something brimming with humanity. Yet what the director and cast do with this character study is miraculous.
The movie isn't witty or memorable, but it keeps you on edge, and it's the first war-on-terror film to weave its anti-U.S. politics so deeply into the narrative that the characters don't need to speechify.