The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Easy Virtue has all the elements for a sprightly romp with serious underpinnings, and occasionally it achieves that balance. But it's marred by attempts at farce that are as belabored as they are ill-advised.
Full of forced jocularity and drawing-room hissy fits, with its cast parading around in vintage threads and antique cars, Easy Virtue is a close-to-insufferable souffle based on the 1925 Noel Coward play.
Jessica Biel in a teacup-rattling '20s period piece? With her lewd pinup grin and husky flat voice, she sticks out like a sore starlet in Easy Virtue -- but that's the whole point in this loosely 'freshened up' version of a NoŽl Coward play.
The first Noel Coward play to hit the big screen in more than 40 years, Easy Virtue is a crass, heavy- handed and -- most unfor givably -- largely laugh-free adaptation of The Master's infrequently revived 1924 comic melodrama.
Overall, the film's never less than lively - with Kris Marshall a nifty scene-stealer as the wise butler - yet you do get the sense that greater discipline all round would have made even more of it. As it is, it's fizzy, but variable.