The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Working with the fact-based eponymous novel by Robert Kaplow, first-time screenwriters Holly Gent Palmo and Vince Palmo are content to follow the contours of a standard behind-the-scenes story about the staging of a play.
There's a strong ensemble flavour, characterised by the simultaneously selfish and clubbable tendencies of the actors, which makes for a lightly comic experience but also for a portrait of a theatre company that feels warm and true.
You feel a little bit what it was like to sit in that theater on opening night. You also feel like what it was and what it still is to be a young person infatuated with writing, with art, with theater...
As in life, the presence of Welles never fails to overtake things and McKay's command of the subject is so Welles-ian that when he's in a scene everyone else fades a little. And neither [Linklater] nor the film ever quite recover from that.
I'm getting very weary of filmmakers making up conversations, inventing motives and creating events so that their "based on a real story" movie can get to "the real truth." Because, actually, there's only one real truth.
There are moments, especially when Welles is alternating between acting as Brutus and directing everyone else, that it's possible to forget you're watching an actor and really believe you're beholding Orson Welles at work.