The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
'The Taking of Pelham 123' is not a bad film: it's ponderous and shallow, but always watchable. But what it crucially fails to do, especially in the light of its illustrious predecessor, is justify its own existence.
Whereas the original, directed by Joseph Sargent, was essentially a well-oiled B movie, the new incarnation, directed by Tony Scott, is bristling with high-tech gimcrackery and over-the-top camera flourishes.
Against all odds and better advice, director Tony Scott, screenwriter Brian Helgeland and main protagonists Denzel Washington and John Travolta take a much-loved genre classic and arguably make it better.
Like most of Scott's recent films, this one ends in self-indulgent silliness. You end up asking yourself, how do the few fun bits of the film manage to survive in the midst of so much lousy filmmaking?
As Ryder's motives begin to reveal themselves, The Taking of Pelham 123 loses its aura of post-9/11 dread, replaced by a muddled commentary on Wall Street greed in these days of raging financial crises.
It is remarkable how, with all of the advances in technology over the years, a story like this can remain largely unchanged despite a 35 year gap between tellings. By allowing the movie to unfold in real time, Scott enhances the level of suspense.
Denzel Washington is that valuable paradox, the relatable supernova. [But] it's too bad the movie around him isn't better -- the '74 edition, propelled by David Shire's incredibly badass theme music, kicks the remake's behind all the way to Coney Island.
John Travolta's wildly successful post-comeback crusade to become synonymous with crap continues with The Taking Of Pelham 1 2 3, Tony Scott's bracingly awful remake/desecration of the classic '70s thriller.
I can think of worse ways to while away a hot, sticky summer afternoon than ducking into the air-conditioned comfort of the multiplex for a couple of hours worth of jacked-up, seat-rattling, subway-heisting action.
An open-hydrant whoooosh of an action thriller about a hijacked NYC subway train with passengers held as hostages -- a caffeinated update of a 1974 city-on-fire cult classic that cracked wise with a cynical, now nostalgia-inducing, graffiti-era veracity.