The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There's no getting around the character's plight as an eternal outsider or the natural sympathy it draws. But writer-director Mayer never loses control of this fact, offering a story that's both sweet and tart, unique and familiar.
To its credit, Adam doesn't go for the cheap, easy solution. In that way, the film shares something of the spirit (and realism?) of (500) Days of Summer: an acknowledgment that not every close encounter, no matter how meaningful, can last forever.
The film is afflicted with a fatal case of the cutes: It's never an encouraging sign when The Little Prince, that eternal touchstone of precious perma-children, emerges as a major motif for a romantic drama.
Other than Rose Byrne's on-screen radiance and a soothingly warm palette lit by cinematographer Seamus Tierney, there's not much to get passionate about in this amiable chamberpiece from theater director Max Mayer.