Puss in Boots (2011)
Critic Consensus: It isn't deep or groundbreaking, but what it lacks in profundity, Puss in Boots more than makes up for with an abundance of wit, visual sparkle, and effervescent charm.
Puss in Boots Videos
Puss in Boots Photos
Watch it now
as Puss in Boots
as Kitty Softpaws
as Humpty Dumpty
as Comandante/Moustache Man
as Bounty Hunter
as Bartender/Hotel Owner/Rodrigo/Mean Boy/Wagon Driver
as Andy Beanstalk
as Boy Blue/Friar Miller/Rafael/Prison Guard/Manuel
as Little Boy/Milk Lady/Crazy Woman/Mean Girl
as Bar Thief
as Ohhh Cat
as Estella Maria
News & Interviews for Puss in Boots
Critic Reviews for Puss in Boots
'Puss in Boots' is uneven, but when it's on course, cat fans will be in heaven.
The moment that Puss made his debut in Shrek 2, dramatically voiced by Antonio Banderas, and all but walked away with the picture, it was clear that DreamWorks Animation had created a resonant character.
Puss in Boots prances along on three basic truths. One, cats are funny. Two, vain Spanish cats in high-heeled musketeer boots are even funnier. Lastly, booted, vain Spanish cats voiced by a breathy Antonio Banderas are flat-out hilarious.
It would overstate matters to say Puss in Boots leaves its cat holding the bag (we had to get that in). But it also leaves its hero awaiting a richer fable, one befitting his charms and his portrayer's talents.
Audience Reviews for Puss in Boots
In reviewing Puss N Boots I'm going to forego all the weak cat or fairy tale puns (and gee, I just know you were waiting for some). What you have here is a spin off from the Shrek franchise (what's next, the Gingerbread Man Tales?), where the cat is the focus, front and center. A smart move, for, aside from Eddie Murphy's scatter gun humor as Donkey, the rest of the aforementioned franchise cannot hold a candle to Antonio Banderas' suave turn as Puss. The opening scenes are pure brilliance - high animation equaling the production values of Pixar - that the film cannot, and chooses not to maintain that level - shrug - what can I say? Regardless, those beginning scenes, with Banderas' lovely accented voiceover narration are worth the price of admission by itself. There are beautiful flights of humorous fancy on display, including homage to Sergio Leone and spaghetti western split screen. However, after that brilliant opening 15 minutes, the film cannot sustain it (think the 2nd half of "Up", or Wall-E for further examples). Overall the story is a bit cliché, reaching 3rd grade levels of a morality and redemption type tale... and, ya know, Humpty really started to get on my nerves (which I suppose was intended, but still!!!!). In typical Dreamwork/Shrek fashion, several fairy tales and fairy tale characters get a kick in the shorts, and actually that's part of the fun. Seeing Jack and Jill as a couple of gross thieves was a hoot, and their time on screen was about the only thing holding up the middle part of the film, which failed miserably in concocting anything magical during the scenes taking place in the Giant's castle (of Jack and The Beanstalk fame). Of course the script limited itself by first proclaiming that the Giant was dead, and secondly by failing to reveal the monsterous threat (deciding to keep that secret until later). When the monster finally makes an appearance, threatening to destroy the town of San Rodrigo, the towering, hulking figure made me think of Godzilla and my feeble brain started paraphrasing the lyric to Blue Oyster Cult's song Godzilla: "oh no, there goes Rodrigo" (see, there's a pun in here after all). I have failed to mention, that aside of the Humpty Dumpty/ Puss dynamic there is also some kitty love - as Salma Hayek voices Kitty Softpaws, who, to use the olden day western vernacular, is a thief with a heart of gold. The interplay between Hayek and Banderas works well, and really, overall this film is good fun. Brilliant? Not quite; held back a bit by the simplistic tale at its core, but certainly with enough good animation and truly funny moments to entertain young and old (I mean, who wouldn't laugh at the suave, posing Puss ordering a glass of milk and then, instead of drinking it, daintally laps it out of a shot glass with his tongue?).
Puss in Boots avoids all of the flaws of the last two Shrek movies, and revitalizes the universe in a shockingly good movie that is beautifully animated, hilariously mature, and stylish enough to make up for its spin-off nature.
Chris Miller goes nursery rhyme mash-up with Puss in Boots.
Aside from a back story segment for the lead, Puss in Boots, the plot moves forward at a quick pace with the end credits happening at only the 80 minute mark. The film has a lot to work with, as it takes a number of popular nursery rhymes and shuffles them into the plot, but at the same time it keeps things simple, which contributes to the brief run time, for a family friendly experience.
The comedy is light, with some obvious cat antics thrown in. There isn't much of it that feels forced, which is a good thing. Visually, there isn't anything overly impressive. Once again it is catered for a younger and less sophisticated audience.
Antonio Banderas and Salma Hayek are nice fits into the Spanish theme of the picture, which also has an attractive soundtrack. Zach Galifianakis ends up as nice compliment to the aforementioned leads.
Puss in Boots isn't great. It isn't terrible. It's merely in between and a quick sit through.
Puss in Boots Quotes
|Puss in Boots:||"hmmm, I smell something familiar, something dangerous, something breakfast-y"|
|Puss in Boots:||Hmmm, I smell something familiar, something dangerous, something breakfast-y.|
|Humpty Dumpty:||"It's been a long time brother."|
|Humpty Dumpty:||It's been a long time brother.|
|Puss in Boots:||"Maldito Huevo!"|
|Puss in Boots:||Maldito Huevo!|
|Puss in Boots:||Very well, if it is to be a dance fight, then I will tuesday night dance fight you to the death.|
|Moustache Man:||[Moustache Man shows Puss the magic means tattooed on his arm] These are the beans of legends.|
|Puss in Boots:||Oh!|
|Luis:||Grows the vine to the land of giants.|