The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There is an awkward, irresoluble tension between the movie's urge to thrill and the weighty pull of the historical obligations that it seeks to assume. How much, to be blunt, should we be enjoying ourselves?
Vogel's introduction, 'This is my hand, and this is the speculum,' may at last have displaced the 'Is it safe?' of Christian Szell--another Mengele stand-in--as the most discomfiting sentence ever uttered by doctor to patient onscreen.
Madden's version maintains all the literal and figurative scars left on these characters, but everything here is made at least one degree more obvious, even as the screenplay tries mightily to hide its secrets.
The architecture of "The Debt" has an unfortunate flaw. The younger versions of the characters have scenes that are intrinsically more exciting, but the actors playing the older versions are more interesting.
Predictably, the holes in the narrative set us up for a twist or three, but, in balance, it's a pleasure to be back in the wet alleys and spy-patrolled streets of the GDR, however vague they seem without '60s black-and-white cinematography.
The remake ups the adrenaline factor, and features strong perfs across the board, yet feels bogged down by a weighty love triangle and a subject that merits more than the old-school good vs. evil approach.