The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Brothers -- an Americanized re-make of Danish director Susanne Bier's 2004 film "Brødre" -- revolves around the Afghan War but also keeps its distance, a balancing act that winds up looking more wobbly than elegant.
Brothers isn't nearly as unbearable as most of the anti-war pictures of the last five years, but when it comes to members of the armed services, screenwriters continue to lose their ability to think in more than one dimension.
Brothers has all the right ingredients -- it's made with care, and it works very well. But it rarely finds the raw intensity that the Danish original did; adding a little polish, in this case, took away a bit of the grit.
It's easy to overlook a drama like Brothers, with its plain-spoken title and stern subject matter. Don't. The film is gripping---an honorable and beautifully acted addition to the tradition of homefront war stories.
Brothers isn't badly acted, but as directed by the increasingly impersonal Jim Sheridan, it's lumbering and heavy-handed, a film that piles on overwrought dramatic twists until it begins to creak under the weight of its presumed significance.
Sheridan pulls you so deep into Brothers so fast that there isn't time for the alarm bell to go off that says: "Warning! Another Traumatized-Vet Movie!" You never catch Sheridan or Benioff grandstanding, only observing.