The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The imposition of a fairytale quest structure turns the surrealist wanderings (and wonderings) of a free-associating dreamer into a brusque crash-zoom, as Alice hurtles towards her appointment on the good-versus-evil battlefield.
The episodic nature of Lewis Carroll's Alice in Wonderland doesn't really lend itself to traditional three-act plotting, but screenwriter Linda Woolverton puts Alice through her Joseph Campbell reluctant-hero paces, and none of it ever sparks.
A succession of chases and fanciful combats, more akin to Dungeons & Dragons than to Carroll, leads to a peculiarly truncated climax. The 3-D effects are enjoyable, but the added depth can't make up for deficits in the concept or the plot.
... wrong-headed in pretty much every way it can be, poorly designed, loud, and worst of all, boring. It is a catastrophe as a movie, and as a place marker in the career of Tim Burton, it is a big fat dead end.
Combines the heavy-handed clamminess of unneeded brand remarketing with the hateful hollowness of overdone and empty computer-generated imagery. ... With Burton's uninspired, underdone and underwritten version, you only feel like you're watching money.