Shirley
Da 5 Bloods
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I May Destroy You
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All Critics (17) | Top Critics (7) | Fresh (13) | Rotten (4)
Not a reassuring vision, for sure, and no tourist plug for Dalston, Hackney or Haggerston, but the film's a fair calling card for Johnson's talent. February 5, 2010 | Rating: 3/5 | Full Review…
Not a reassuring vision, for sure, and no tourist plug for Dalston, Hackney or Haggerston, but the film's a fair calling card for Johnson's talent.
Wally Hammond
The problem is that there's no character development, no revelations and no epiphany. The film is merely nauseating. February 5, 2010 | Rating: 1/5 | Full Review…
The problem is that there's no character development, no revelations and no epiphany. The film is merely nauseating.
Gerard Johnson's debut is undeniably exploitative and rather pointless, but enough red herrings get chucked into the mix to keep you interested. February 5, 2010 | Rating: 3/5 | Full Review…
Gerard Johnson's debut is undeniably exploitative and rather pointless, but enough red herrings get chucked into the mix to keep you interested.
Catherine Shoard
Johnson and cinematographer David Higgs shoot this mundane horror in drab, flat colours, accentuating the invasive intimacy with which we're thrown into Tony's life. The entire screen has the greasy texture of accumulated filth. February 5, 2010
Johnson and cinematographer David Higgs shoot this mundane horror in drab, flat colours, accentuating the invasive intimacy with which we're thrown into Tony's life. The entire screen has the greasy texture of accumulated filth.
Matt Bochenski
It's a back-of-the-envelope idea with a couple of good scenes. Ideally it needed another six months' story development. February 5, 2010 | Rating: 2/5 | Full Review…
It's a back-of-the-envelope idea with a couple of good scenes. Ideally it needed another six months' story development.
Nigel Andrews
Gerard Johnson's low-budget streets-of-London downer is nominally about a serial killer, but in Peter Ferdinando's remarkable title-role it becomes rather more about urban loneliness and alienation. February 5, 2010 | Rating: 3/5 | Full Review…
Gerard Johnson's low-budget streets-of-London downer is nominally about a serial killer, but in Peter Ferdinando's remarkable title-role it becomes rather more about urban loneliness and alienation.
Anthony Quinn
Johnson gives us enough of the inner life of the titular character to both empathise with then later hate him. May 4, 2019 | Rating: 4.5/5 | Full Review…
Johnson gives us enough of the inner life of the titular character to both empathise with then later hate him.
C.H. Newell
Dalston's answer to American Psycho, and it's almost every bit as good. April 15, 2010 | Rating: 4/5 | Full Review…
Dalston's answer to American Psycho, and it's almost every bit as good.
Sam Bathe
An impressively restrained and quietly disturbing little psycho-thriller. April 6, 2010 | Rating: 4/5 | Full Review…
An impressively restrained and quietly disturbing little psycho-thriller.
Scott Weinberg
Not cheery, but gripping, against-the-odds funny and uncomfortably unique. Johnson and Ferdinando are certainly now names to watch. February 5, 2010 | Rating: 4/5 | Full Review…
Not cheery, but gripping, against-the-odds funny and uncomfortably unique. Johnson and Ferdinando are certainly now names to watch.
Kim Newman
Undeniably bleak, but blood-blackly funny and disturbing rather than depressing, this puts Johnson in the Shane Meadows league, and with Ferdinando the director may also have his own ready-made Paddy Considine. February 5, 2010 | Rating: 4/5 | Full Review…
Undeniably bleak, but blood-blackly funny and disturbing rather than depressing, this puts Johnson in the Shane Meadows league, and with Ferdinando the director may also have his own ready-made Paddy Considine.
Rob Daniel
Despite a black vein of humour, the slow, directionless narrative leaves Tony looking like Dalston's dour answer to American Psycho. February 5, 2010 | Rating: 3/5 | Full Review…
Despite a black vein of humour, the slow, directionless narrative leaves Tony looking like Dalston's dour answer to American Psycho.
Rosie Fletcher
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