Mary Poppins Returns
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All Critics (12)
| Fresh (5)
| Rotten (7)
As violent as this mob thriller is, it also has a terrific sense of its central characters, focussing on strong emotions and moral decisions. And even though it's overcomplicated, the result is a sleek and very classy.
Without a compelling plot to hold our attention, this only amounts to an impressively bloody bullet-a-thon: 22 seems a very conservative estimate...
An unremarkable French thriller that feels like a Seventies Charles Bronson effort.
When the chief baddie both stutters and slaughters puppies, you know you're in trouble.
A stylish but desperately uneven French thriller that's clearly trying to be the next Godfather. Alas, it never comes close.
A generic, derivative gangster yarn.
Its many memorable characters, adrenalin-charged action sequences and heart-stopping car chases make for a guilty pleasure.
22 Bullets is neatly acted, nicely made and boasts complex characters that have depth.
An uneven stew of character development, violence and sub-Top Gear car chases. Disappointing.
There are few surprises but the blood-spattered action is handled with aplomb and Reno manages to keep a straight face when obliged to deliver the occasional lecture on morality.
In the end 22 Bullets fails to live up to its potential by descending into a series of 'hits' that, whilst they carry a perverse level of justice that is satisfying on one level, end up diluting the film's sense of character and pathos.
full review at Movies for the Masses
Sounds epic and stars Jean Reno, I was expecting a rip roaring 'Leon' type gun flick but alas. The film isn't bad by any means but its rather slow with a lot of dialog, and with subs that can be a slog.
The action kicks off straight away as we see Reno's character having a good time with his son only to be ambushed by his car and gunned down in brutal fashion reminiscent of Murphy's execution in 'Robocop'.
After seeing this I was thinking, OK...let the blood splattering revenge commence. That is what the film is based around naturally, Reno's character getting revenge for his attack and uncovering who and why, which of course leads to the odd double cross.
The whole film is really well made, looks good and classy but its pretty boring in all honesty. There is the odd violent flare which gets you excited, Reno taking out the odd bad guy in revenge, but its few and far between. A more sensible thriller instead of the larger than life kick ass revenge flick I hoped for.
The ending is also rather uneventful to say the least. I felt somewhat disappointed by the end but appreciate the quality acting on show from Reno and other French actors, I think the films poster and title does mislead you a little.
The French seem to be quite good at making these crime thrillers. Jean Reno, an actor familiar to English-speaking audiences thanks to his appearance in films like Leon and Godzilla, stars as a retired gangster (based on a true character, apparently) who is gunned down in a car park and left for dead by former accomplices. His attackers' reasons seem a little strange: they're afraid he will disapprove of their decision to move into the drugs market. After pumping 22 bullets into his body they leave him for dead, but he's harder to kill than they expected (hence the original title: l'Imortelle) and recovers to start plotting his revenge.
Reno is one of the few actors - French or otherwise - who could pull off this kind of role convincingly. He can play the tough guy well enough, but retains a humane side that sneaks through the armour every now and then. His adversary, a former childhood friend, is more of a typical bad guy, but is given a few personality quirks to at least give him some character. It's interesting, though, how the eight assassins whom Reno tracks one-by-one are all given a more human side than the usual screen villain. Many of them are performing acts of kindness when Reno catches up with them - laying flowers on their son's grave; walking their senile mother, etc.
The plot asks the audience to suspend disbelief perhaps a little too often for its own good, and is perhaps a little more convoluted than it needs to be, but it moves at a cracking pace, and actor Richard Perry has a dynamic style of filming that wisely stops short of becoming too flashy. 5 Stars 2-10-14
This is one hell of an awesome and exhilarating movie. A spectacular and adrenaline-charged edge of your seat action-packed thriller. A superbly well-made and performed action film. A masterpiece from Director, Richard Berry. It's memorizing, compelling and extremely powerful all the way to the end. An intense and hard-boiled crime-thriller. A stylish, thrilling, exciting and deeply moving film. A strong mixture of suspense, action and riveting character driven drama. This movies the real deal, the total package. It has memorable characters with depth, adrenalin-charged action sequences and heart-stopping car chases make for a solid guilty pleasure. It's your pulse and your heart racing through every twisting and turning moment. It's compelling and very endearing. This film can entertain. Jean Reno is at his very best, he hasn't been this good in a film for years. Reno is unforgettable with his strong and emotionally charged performance. This is his best performance and best film since The Professional. It's nice to see him and Producer, Luc Besson back in action together again doing what they do best.
The anti-hero is one of the cinema's greatest staples. From Travis Bickle in Taxi Driver to Harry Callahan in Dirty Harry, the troubled guy we can't help barracking for is a convention as old as film itself.
To that legion of lovable bad boys we can now add Jean Reno's Charly Mattei, a retired gangster dragged back into the underworld when he's peppered with 22 bullets, in a seemingly unprovoked attack in an underground car park.
A grandstanding speech, to be sure. In the hands of some, it could have been dismissed as corny and heavy-handed, not to mention implausible. But Reno delivers it with the authority and gravitas of a seasoned star.
A product of Luc Beeson's Europa Corp stable of films, 22 Bullets plays to type as a standard revenge flick, with a gangster twist. It works because of the commitment of its leads and the stylish direction of Richard Berry.
Cliches abound: witness the alcoholic cop whose husband is killed on the job. She is tasked with finding those who tried to take out Mattei and, then, figure out why they're all ending up dead. But as with Reno, Marina Fois completely commits to her role. Kad Merad, meanwhile, shines in a rare serious turn as Mattei's oldest friend, imbuing his villain with cold-blooded menace.
There is action here and violence there and, as the film progresses, it spirals further out of control (becoming gorier in the process). Those with a weak constitution might, for a example, want to skip the scene in which Mattei bashes a victim's head in by slamming a car door on it over and over again. Or when he himself is scalded in the face with boiling water.
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