The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
In [Jia Zhangke's] chronicle of the changing fortunes of a defunct but once glorious aeronautic factory and its workers through talking heads and wordless images exclusively, the documentary strain prevails to simple, yet emotionally reverberating effect.
Strongest moments are when the pristine HD lensing by Hong Kong's Yu Lik-wai (a Jia regular) and Wang Yu, and warm string music by Yoshihiro Hanno, take over in montages showing the gradual dismantling of the factory.
24 City won't change the minds of detractors -- it is his most painfully slow yet -- but it might change the minds of his supporters, including this critic, for Jia attempts something that is, in the end, unforgivable.
Jia is one of the guiding lights of the sixth generation of Chinese filmmakers, and 24 City is a potent exploration of his constant theme -- the tectonic shifts that occur as the old gives way to the new.