The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
What's really striking about the film is that it doesn't even have the aesthetics of a comic book, to say nothing of a graphic novel-the best examples of which, at least, show considerable concern for subtle narrative rhythms.
While the standard complaint might be about the surfeit of blood spilled, the real problem isn't so much the gore that gets splattered around in 300 as its lack of effect - it's all antiseptic and pretty.
[Gerard Butler's character] charisma is elusive. He vigorously enunciates like a summer stock player doing Shakespeare. But the writing's overblown. And locating the requisite sorrow in this tale of heroism is an afterthought for Snyder and co.
Whatever your reason for going into 300, I can't imagine leaving it very excited by what you get. I can imagine being excited by the prospect of leaving -- for me, the end credits of 300 rolled up on the screen with the comforting shock of a parole notice
All this bellowing and testosterone gets old fast -- especially since there's not much of a plot outside of the combat scenes, and the not-much-of-a-plot scenes are laden with dialogue worthy of Anakin and Padmé.
Keeping in mind Slate's Mickey Kaus' Hitler Rule -- never compare anything to Hitler -- it isn't a stretch to imagine Adolf's boys at a 300 screening, heil-fiving each other throughout and then lining up to see it again.