The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Nearly a de facto remake of After Hours, writer-director Trent Haaga's lively trailer-park thriller 68 Kill keeps the hostility and loses the self-deprecation, which turns it into an example of misogyny rather than an examination of it.
There's no denying that 68 Kill is still a wickedly fun heist movie that subverts genre fan's expectations by playing around with gender conventions, delivering several impressive storytelling swerves that genuinely kept me guessing up until the very end.
Haaga's direction is all about creating the illusion of chaos whilst maintaining precise control. He's aided by strong cinematography, set design and music, with the whole coming together amazingly well given the limitations of the budget.
Not everyone will enjoy this slide down a narrative garbage chute lined with thorns. But viewers and programmers with a taste for midnight-movie outrageousness will cotton to its mix of sleaze, quease and bad-taste absurdism.