Mary Poppins Returns
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Masao's own personal rejection of good and evil lends him precisely the sort of sublime indifference that is normally associated with, ironically enough, the Buddha whose image Masao obsessively carves, and whose tenets he has long since disavowed.
The hyperactive camera makes this a movie that truly moves, something the director intended as an evocation of the titular concept of transience, or the Buddhist belief that everything in this world is fleeting.
There are no featured reviews for Mujo (This Passing Life) (This Transient Life) at this time.
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