Mary Poppins Returns
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All Critics (2)
| Fresh (2)
| Rotten (0)
This wittily rumbustious, almost operatic film offers a stirring reminder of a time when European filmmakers regularly engaged with serious political ideas, without compromising their cinematic creativity.
Not as good as Padre Padrone or Night of the Shooting Star, but this early Taviani feature is elevated by the performance of Marcello Mastroianni.
Incredible score to begin with.Annihilating performance by the unique Mastroianni. Pitch-perfect representation of the tumultuous Italian division of 19th century.Ignoring the political and social results would be fatal.Taviani are orchestrating through Morricone's music an opera of neoclassicism and reach breaking point in their time of film-making streak.
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