Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (58)
| Top Critics (21)
| Fresh (19)
| Rotten (39)
| DVD (2)
Heaven knows what inspired Zhang to undertake this nutty project, but the results are, at the least, amusing.
A Woman, A Gun and a Noodle Shop is a tipsy wedding of low hijinks and tiptoe-tense suspense stretches.
A whimsical but fizzled experiment.
An uneasy mix of Coen-style laughs (particularly evident in the big comic close-ups) and Zhang's majestic imagery (in one shot the couple's divorce papers shatter into a burst of confetti).
A Woman, a Gun and a Noodle Shop is great to look at. It's just not much fun to watch.
It takes real chutzpah to challenge the Coen brothers when it comes to stylization in movies, but Chinese director Zhang Yimou has done just that.
...the movie, unlike the majority of contemporary remakes, stands on its own as an original and surprising piece of work.
A valentine from one director to a famous team of others.
Doesn't live up to the 1985 Coen brothers film that inspired it.
It's a good effort, and any filmmaker about to embark on a remake should consider the director's boldness (Seriously, remaking Blood Simple?! You crazy for this one, Yimou!).
full review at Movies for the Masses
There is certainly some curio value for cineastes here, but the real mystery is, well, what the heckfire was going through Zhang Yimou's once-brilliant mind when he decided to make this?
A cruel noodle shop owner offers a corrupt police officer money to kill his unfaithful wife and her lover but when he double crosses and murders him the hapless lover covers up the crime fearing his mistress responsible. I was very curious to see Zhang Yimou's interpretation of the Coen brother's debut film, being a big fan of Hero and House Of Flying Daggers as well as the original in question. The story has a lot of potential for inventive adaptation and I was hoping for a Shakespearian Kurosawa style affair; unfortunately what Zhang has served up is more Stephen Chow than Akira Kurosawa. The grim details of the plot have survived intact but the cartoon characters in gaudy pantomime costumes stutter, pratfall and double take away like refugees from an episode of Scooby Doo making a very uneasy concoction of weak slapstick humour and bleak neo noir that just doesn't work. Stone faced Honglei Sun has none of the character of M. Emmett Walsh's sleazy private eye and all the suspense and sexual tension of the protagonists disappears in a puff of smoke when portrayed like a Carry On film. The final scene actually works quite well as it's a straight adaptation using swords and arrows instead of gunfire but this just serves to throw into sharp relief how ill-judged the rest of the film truly is.
A remake of the Coen Brothers' Blood Simple that completely works. It transposes from 1980s Texas to ancient China. Smart, funny and enormously entertaining. It highlights how men become easily tempted by money, the root of all evil, when faced with bucket-loads of them, and how coincidences play a huge part in getting the characters where they end up, with each unfortunate moment ending in becoming a corpse (yes, there will be blood, and death) in a seemingly convoluted narrative that has to be seen to be believed the kind of rich writing which can pull it off.
It sure is a lot of fun delivered by its outstanding casting who seem all too comfortable in dishing out black and physical humour.
I expected something like Kung Fu Hustle, crossed with Crouching Tiger, but what I saw was a very strange movie. The outrageous makeup, and unrealistic costumes, made this film almost unwatchable...A silly, slapstick remake of Blood Simple that was neither clever, or funny. Giving two stars because it was beautiful, but no other redeeming qualities.
The intriguing idea behind this oddity made it a gotta-see-it flick: Chinese remake of BLOOD SIMPLE set in feudal China. What the heck, right? But from the first frame, it's clear that the actual lens for the director is more RAISING ARIZONA than BLOOD SIMPLE. Yes, it follows the basics of the plot, but it's so broad, so comic and ultimately so strange that it wears out its welcome much too quickly, and 90 minutes start to seem like 200. There is definitely some nice camera work (the director is no stranger to great composition - he gave us HERO and HOUSE OF FLYING DAGGERS), and there's a really nifty cooking-the-noodles sequence early on, but then it's just a slog from plot point to plot point, studded with moments that visually echo the Coen Brothers' earlier masterpiece (light pouring through holes in the wall? check... the killer's hand being immobilized gruesomely by the heroine? check... you get the picture). It's not that it's a mess, it's that it's kinda boring - which is both a crime and a shame.
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