The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (32)
| Top Critics (6)
| Fresh (24)
| Rotten (8)
| DVD (1)
Off to the pub!
Wright checks off the expected genre boxes with the gleeful mischief of a gremlin trashing a plane engine.
The movie never aspires to be more than a cookie-cutter creature feature-the kind of film that can be washed back with a pint and then forgotten in the morning.
The tough thing about genre hybrids is that they have to fulfill both genres, and Grabbers only nails one of them.
A likable and technically impressive comedy-horror.
A polished, watchable genre entertainment that nonetheless lacks the inspired dialogue and situations needed to make a memorable impression.
Wright's boisterous, boozy hybrid more than deserves to be placed alongside recent horror-com genre greats.
The ingenuity of the film's method of dispersing with the freakish interlopers may be its strength amidst evident simplifications and a predictable storyline, yet the antics are amusing and entertaining.
This movie has a lot of fun with its perilous situation. The characters never stop making jokes, though often a simple reaction can be funny enough.
A group of Irish villagers have to stay drunk to keep alcohol-fearing alien monsters at bay. Yup.
Recommended only for those peering through the thickest of beer goggles.
Grabbers combines horror and comedy into one extremely satisfying octopus-like baby that results in some of the most fun you'll have with any film this year.
Monster films are a blast to watch. Watching a creature create havoc on-screen is always thoroughly entertaining. However, add the comedic element to the story, and you have something really special, and that's where Grabbers comes in. This one of the funniest horror comedies I have seen since Shaun of the Dead, and the balance of monster carnage with well thought out humor makes this a must watch film experience for genre fans. The film is very well done considering it's a low budget feature, and while using a somewhat proven formula displayed in countless monster films such as Tremors, Attack the Block and even the Sci Fi drama, horror thriller Super 8, the filmmakers were able to create something refreshing as well. Grabbers can be reminiscent of Tremors in a way, and I found myself thinking of that film as I was watching this film, and it embodies perfectly what a good Horror comedy should be. I really enjoyed the cast, and each actor brought something quite unique to the film. Grabbers is one of those movies that is destined to become a cult classic, and with the concept, comedy and horror, the film deserves be viewed by a much bigger audience as this film is very entertaining from start to finish, horrifying and very funny. If you enjoy Horror comedies, Grabbers is a perfect choice to watch, and it's one of the most memorable horror comedies I've seen in years. Simple, yet engaging, Grabbers is a film not to miss, even if you don't enjoy horror, the balance of both genres, will surely appeal to non genre fans, and it's a film that shouldn't be passed up.
This little Irish indie darling is actually surprisingly good, given its lower budget, Syfy level cover art, and love of the grotesque. The closest comparison I can make is 2006's "Slither" which relied on grotesque imagery, heralding back to the monster movies of the fifties, and delving into the trend of alien invasion movies coming out lately. The one thing that sets "Grabbers" apart from other monster movies of today would have to be its pastoral charm and wit. While some of the characters may be too kooky for many people's tastes, I found the deliberate turn to kitsch and cheesy antics of the police officers charming, if a little misplaced. The monster itself is obviously a throwback to the productions of Ed Wood. Its origins are interesting, though I would say that the methodology behind keeping it contained was a little too heavy-handed. They figure out a lot of what makes the monsters tick through trial and error rather than scientific data, and instead of asking for help from any organization or scientific institution, they take on an island-ful of alien prodigy by themselves. The team even leaves the town in the dark, supplying them with alcohol, which dulls their senses, and leaving them to wonder in the pub's upstairs. The use of alcohol as a deterrent to the aliens, in the same way that oxygen killed off invaders in "War of the Worlds," was inspired, and gives the film the much needed publicity it deserves. The romantic relationship was a little shoehorned in, but it is too obvious to ignore. The chemistry between Richard (O'Shea) and Ruth (Nolan) was actually quite touching. Using Richard's alcoholism as a deterrent was quite ingenious and drove the relationships forward. There weren't as many deaths as I would have wanted to see, in order for the film to be gloriously bloody, but I was happy to see it became a survival film by the end. This is really a good watch, and even with its somewhat clichéd problems, I highly recommend it to anyone who loves monster movies and awesome small town Irish humor.
Jon Wright's Grabbers takes grabbing to a comedic sci-fi drunken journey.
As a monster movie goes, there isn't much, if anything, that stands out; however, it's the humor that gives this picture its identity. At just under 90 minutes of screen time, there isn't much mind blowing going on with the story, but it's the final 30 minutes that saves the earlier part of the picture from complete mediocrity.
Despite the hint of disappointment in the opening sequence, the CG and creature effects turn out quite well with a unique design, which is both disturbing and funny at the same time.
While the Irish accent shrouds some of the dialogue from clarity, Richard Coyle and the lovely Ruth Bradley pull off some amusing performances. The latter more so in the second half.
The lack of seriousness in Grabbers is what makes it a watchable sci-fi piece out of Ireland. Bring the nail gun.
Grabbers is a delightful one joke film, but luckily that one joke has legs, unlike the legless cast. Grabbers sees alien squids turn on an Irish island. They're here to suck the blood of humans, but also have an intolerance to alcohol. This can mean only one thing, lock in. Other than this idea, the film is pretty standard B-movie material that sometimes subverts the genre. For example, instead of arguing over who should be the hero, they try and push others forward for the role. Seeing the actors stagger around is quite charming and funny, and the CGI aliens are astonishing looking. Coyle and Bradley have some natural, if rushed, chemistry, and overall it's a cool little movie, which will probably go down well at drinking parties.
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