The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's a joy to watch two "real people" (albeit unusually witty, clever and attractive "real people") fall in and out and back in love. And, it's particularly satisfying that their mothers have so much to do with it.
The movie chugs along on the chemistry between Nanjiani, acquitting himself well as a droll leading man, and Zoe Kazan as his sunny, devoted sweetheart, though they're completely upstaged by Holly Hunter and Ray Romano as the girlfriend's parents
The movie treats the people on screen generously, and it's a romantic comedy with surprising depth of feeling, glancing on all sorts of things: race, religion, tolerance, understanding, the competitive peculiarity of stand-up comedy ...
Those are a lot of plates for any film to keep spinning, and while it isn't always a complete success - it could stand to lose 15 or 20 minutes - it's the kind of sweetly funny movie love story that's so bizarre that it has to be real.
Movie characters spend more time lounging around hospitals than pharmacy reps, but The Big Sick is the first "hospital film" in a while that makes us feel the stakes of a vicious mystery disease in our guts.
Invigorates the Apatovian formula and indeed an entire genre with a thorny study of interracial relationships and the bonds that hold immigrant families together across an ever-widening generation gap.
Comic Kumail Nanjiani and his wife/co-screenwriter Emily V. Gordon carve this heartfelt love story out of her health crisis and their own culture-clash relationship. Not just the funniest romcom in ages, it's one of 2017's best films.
There's ... a great deal of real life here, even beyond the initial situations. The jokes, many of them lifted from Nanjiani's own routines, are often edgy and politically engaged. The couple's tensions are honest.
Already, The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film -- a bracingly sophisticated one -- you'll want to cry with happiness. (The real tears will come soon enough.)
Infused with honesty and authenticity, Michael Showalter's crowd-pleaser is an instantly winning heart-stealer and a superbly well-timed story of culture clash that resolves into a lovely tale of mutual understanding and acceptance.
Comedian and actor Kumail Nanjiani and writer Emily V. Gordon mine their personal history for laughs, heartache, and hard-earned insight in The Big Sick, a film that's by turns romantic, rueful, and hilarious.
The Big Sick is an enormous crowdpleaser, funny and touching in about equal measure, built atop an intense experience, and wise about the ways we interact with both our own parents and those of the people we date.