The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
"The Death of Stalin" is a deep farce, but it is rooted in enough political reality that it hardly feels sensationalized. And given the current state of politics, it's as on-point as a breaking news alert.
Director and co-writer Armando Iannucci puts it all on black (comedy), betting that the vast discrepancy between great power and small souls will make you laugh at the absurdity of it all - or at least not scream in horror.
From start to finish, director/co-writer Armando Iannucci (creator of HBO's brilliant Veep) delivers an audacious and insightful and ridiculous and hilarious send-up that reminded me of the classic Monty Python films of the 1970s and 1980s.
Iannucci may have turned Nury's somber novel into something of a goof, but he also takes a more complex view of Beria...Death of Stalin is a priceless political satir but what's really impressive is how hard it tries to fit Beria's story into the puzzle.
"The Death of Stalin" is a weird sort of hilarious, in that you easily might not laugh for minutes at a time. Instead of one big pie in the face, doled out at intervals, the movie presents an unending series of comic jabs ...
It isn't history but free-range fiction, a venomous farce containing nuggets of fact, and if its subjects bear any resemblance to present-day dictators and authoritarian mugs or thugs around the world, then the movie has hit its archetypal target.