A Study in Scarlet Reviews
homles is entrusted to recover the lost jewlries from a group of owners who die one after another, and this is very similiar with the 1945 "house of horror" which is another sherlock homles flick with basil rathbone. and it is in the typical detective plots of hide and seek, the course of pursuit and deduction. anna may wong plays the mythical chinese widow of one dead member who turns out to utilize his faux demise to schemefully possess the lost jewlry and his insidious chinese wife is his accmoplice, then the two engage to murder one woman who hinders their treasure-thievery but remedied by sherlock homles in time then the crooked get arrested so the justice shall be served.
of course, anna may wong is still showcasing her negative oriental image as the female villainy with conspicuous vehem while homles interrogates her and mistrusts her right away dismissively just becuz her oriental enthicity is amoral and not to be trusted. and wong does emit her contempt thru her icy-cold gaze of insouciance which glitters a sort of smoldering sensuality. and wong's wardrobe is also worthy of praises as well, her trademarked pastiche of orient and occiednt in fashion.
briefly, anna may wong appears here more like a signfying token of western orientalism, a flat character without dimensions excapt serving her stereotyped image with aloof poise of her own as if her grudge of minority is simmering out as a repressed individulity. and that's the "it" wong could express while limited by racial segregation then. at least she makes it the second credit in "a study in scarlet"