A Coffee in Berlin (2014)
Critic Consensus: Amiably slight, A Coffee in Berlin compensates for its lack of narrative drive with a sure-handed screenplay and echoes of early Woody Allen.
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Critic Reviews for A Coffee in Berlin
In spite of its insufferably whimsical tendencies - exemplified by its original title, "Oh Boy" - the film may have turned out to be a deeply profound modern postscript about fascism.
Niko's problem is not just that he's spoiled and lazy, but that he's a wimp about it. He only maintains viewer sympathy because everyone else in the film is so obnoxious.
It manages to make an entertaining story out of nothing in particular. And just when you get comfortable passively observing a passive observer, the minutest of twists becomes its own call to action.
As sure of itself visually in its black-and-white evocations of Berlin as its protagonist is unsure of himself and his future.
In Gerster's view, Berlin's unresolved past taints its bustling charm and glossy serenity, as well as every familiar course of practical action-yet his movie veers toward the historical kitsch that he satirizes.
Audience Reviews for A Coffee in Berlin
Visibly influenced by Woody Allen, not only in its black and white but also in the downbeat mood, the jazz score and mainly the deliciously wry humor, Gerster's impressive debut as a filmmaker tells a very thoughtful story about a young man who feels like he doesn't belong anymore.
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