A Man Called Ove (En man som heter Ove) (2016)
Critic Consensus: A Man Called Ove's winsome sincerity -- and Rolf Lassgård's affectingly flinty performance in the title role -- keep it from succumbing to excess sentimentality.
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Critic Reviews for A Man Called Ove (En man som heter Ove)
A Man Called Ove hits all of the genre's sweet spots, without ever tipping into the saccharine.
Shamelessly, but also quite movingly, hits all the required notes of the most pandering of feel-good Tinseltown sagas, with its story of a grouchy guy who turns out to have a heart of gold and a past worth sighing over.
It starts well, but the deadpan humor quickly runs out of gas.
The moving twists and turns of the love story and the bright comedy elevate an otherwise familiar story line. The mix of genres works, too.
Lassgård won't let you off easy: A scene in which Ove weeps hopelessly before the magnitude of his loneliness will bring tears to the eyes of anyone who has suffered a loss.
Audience Reviews for A Man Called Ove (En man som heter Ove)
We've seen films about grumpy, widowed old men before, but never quite like this. I've always been a fan of self-contained films that don't require too many locations in order to tell the story at hand, but this is one of the most impressive films I have ever seen accomplish that. Not to say that the camerawork feels like a documentary, but director Hannes Holm creates an atmosphere of characters that seems as though they exist out in the world somewhere. From all of its subtleties, to all of its ambitious plot points, A Man Called Ove is not just a great Swedish film, but one of the best films I was able to see in all of 2016. Here is why I believe you should run (not walk) to check out this film. Whether or not you can speak the Swedish dialect, A Man Called Ove is a must-see film. That's really all you need to know in my opinion, due to the fact the plot details reveal themselves slowly throughout the film. For that reason, I'm only going to touch on a few things that stood out to me. The basic premise is that a man has lost his wife from an unknown cause and finds himself in constant mourning. Never a hit in making friends, this lonely man named Ove finds himself wanting to commit suicide in order to be with his wife. Every time he is about to commit suicide, something prevents it from happening. Making friends with new neighbours that move in, the film begins to balance some happy and sad flashbacks, revealing he and his wife's past. That is as much as I can say without giving away the incredible conclusion this film has. Periodically, the film flashes back to explore the relationship that Ove had with his wife Sonja. At its core, there really are two stories happening here. One about an elderly man living alone and the other a love story about a very unlikely couple. Their relationship in the past was a joy to see, because it added the much-needed levity to an otherwise somber film. It keeps you engaged throughout the entire duration, due to the fact that the present day material is great and the material in the past constantly reveals new things about certain characters, giving more meaning to the present day. Also, the ending to this film is absolutely stunning in my opinion, and that wouldn't have been possible without the flashbacks. A Man Called Ove is a great lesson for film student who wish to know the perfect use of a flashback. As mentioned above, the direction of this film by Hannes Holm is incredibly sincere and some of the best I have seen from any independent production in 2016. With very few characters, he is able to create a world around them that feels incredibly well-realized and lived-in. A Man Called Ove is a rare film that gets better as it progresses and more in revealed, meaning that a second viewing will be warranted and will make the film even better once you know everything. That is no small feat for a picture to accomplish, but this one does it in spades. I loved every second of this directors vision for this beautiful (albeit heartbreaking) story. In the end, as I look back on A Man Called Ove, I appreciate it more and more, due to the fact that it really is a film that tries to get your spirits up. Beginning with an elderly man who wants to commit suicide is not enjoyable in any way, but the way that he is brought out of that way of thinking was amazingly bittersweet. With fantastic character development and a conclusion that had me in tears, I really couldn't find much to dislike about A Man Called Ove. It's one of the best films in all of 2016, at least in my opinion, and I high recommend checking it out. Its Oscar nomination for best foreign film is more than well-deserved. This is exactly the right way to make a character study. I love A Man Called Ove.
It contains few surprises, however due to Rolf Lassgård's performance the film manages to be moving.
I was just waiting for the next movie that would reduce me to a puddle of pathetic sobs after I saw 2015's "Room". This Swedish production fortunately has more humor and isn't nearly as dire a situation as the aforementioned tear-jerker. Instead, it concentrates on the ennui of aging and seeing a world, perhaps one you never felt a part of, pass you by. While the idea that things will never be as good as they once were might be true, closing one's self off to possible happiness is a greater tragedy. Concerning the eponymous Ove, he is a man in his twilight years with nothing but disdain for the outside world and disgust for anyone who can't meet his standards and ideals. He is a true misanthrope until a family moves in next door and humorously wriggle their way into his life, making themselves and him indispensable. This is one of my favorites, sure, but it is inarguably one of the best films of the year.
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