The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Wins on many levels. It's an absorbing true love story, a well-crafted (and gorgeously filmed) historic piece. And, it's a testament to what Romeo and Juliet knew all along. Love is bigger than family feuds, politics and, in this case, color
One of the great British films of 2016: it will send you out into the night knowing a little more about the world and, just possibly, quietly determined to do a little better by it. I couldn't recommend it more highly.
I'm just going to tell you that A United Kingdom revealed to me an interesting historical incident of which I was previously unaware, tying it to some broader historical issues that are continuingly relevant.
Oyelowo is wholly credible in the role as a man obliged to balance the responsibility of his birthright and the needs of his heart. Gone Girl's Pike, often a chilly presence onscreen, generates sufficient warmth for the role of Ruth.
The film begins strong, as an account of a forbidden love. But midway, that thread peters out, giving way to an uninspired description about the political machinations behind giving an African protectorate its independence.
It would have been easy for one of these plot threads to strangle the other, but the crisp writing, strong direction by Amma Asante plus Oscar-worthy performances by Oyelowo and Pike make each story support the other.