Ford v Ferrari
Blinded by the Light
Forgot your password?
Don't have an account? Sign up here
Got more questions about news letters?
Already have an account? Log in here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Please enter your email address and we will email you a new password.
We encourage our community to report abusive content and/ or spam. Our team will review flagged items and determine whether or not they meet our community guidelines.
Please choose best explanation for why you are flagging this review.
Thank you for your submission. This post has been submitted for our review.
Sincerely, The Rotten Tomatoes Team
This was impressively suspenseful. What kept it so engaging was superb photography - perfectly integrated shots of outdoor mountain ranges with sets covered with very realistic snow. Or maybe it was all outdoors, I dunno. And the monastery was a great set, with a creepy sense of menace.
So as the title of this movie suggests, this is all about the mysterious age-old legend that is the Yeti. A fabled creature that dwells within the snowy Himalayas. And again as you may well have guessed already, this movie is all about trying to capture said creature (think [i]King Kong[/i]). Hey, its a 50's flick people.
Dr. Rollason (Peter Cushing) and his wife Helen (Maureen Connell) are on a botanical expedition in the Himalayas and are staying within a monastery. Everything is going swimmingly until a second US expedition arrives lead by Dr. Tom Friend (Forrest Tucker) who are wanting to hunt down the Yeti. At first Rollason isn't convinced about going off in search of the mythical beast, but eventually he succumbs to his scientific curiosity and agrees to accompany them. Rollason thinks this is an expedition to learn and study, he is unaware that Friend wants to capture the creature for fame fortune and American way dagnabbit! As you can imagine things don't go as planned, team members start getting killed and Rollason learns Friend's true goal.
So again, as you can imagine, there is a lot of dialog in this film. This film takes its time getting going with a long slow laborious build up. The monastery we find our protagonists in is of course a mixture of sets, matte paintings, and some locale work. Of course its all gonna be rather charming by today's standards but overall it's actually pretty top stuff all things considered. The sets are really quite good and atmospheric. Sure you can tell its all a set but it still looks really well detailed from the basic structure of the monastery to the intricate internal decorations and various traditional carvings. The external distance matte painting was glorious, a lovely cliff edge setting highlighted by the black and white film (always helps these old films).
These sets were later utilised for a few [i]Fu Manchu[/i] films throughout the 60's which is no surprise considering how well designed and built they were. Apparently production designer Bernard Robinson, art director Ted Marshall, and draughtsman Don Mingaye studied and researched numerous books to get the look just right. I find that so darn adorable.
I was quite surprised to actually see a lot of very good location work here too. I knew there would be some of course but I really just expected the bare minimum and a load of stock footage. But no director Val Guest actually did some shooting in the French Pyrenees with a team of professional climbers and a helicopter for the panoramic shots. They even used a cable car for some shots whilst going up and down the mountainous region (Pic du Midi Bigorre). Overall they did a great job with the actors all dressed correctly matching the stunt doubles footage; and the actual real climbing footage looks perfectly believable (well snowy mountains are snowy mountains).
Obviously when we see the actors they are on somewhat obvious sets with somewhat obvious snow. These tend to range from not too bad looking to really quite obvious looking. Its here when the quality of the acting is really put to the test (as with all these old flicks). Can the actors make the hokey sets come alive? Can they make them come across as believable? For the most part that's a no in all honesty, but that's all part of the charm with these movies.
The basic story is of course rather bland and predictable. Cushing is his usual well-spoken, gentlemanly self and never puts a foot wrong. The man is always totally engaging but if I dare to make one negative point, he (generally) always looks and sounds the same. This could be any one of his many horror/thriller characters because he generally plays the same type of chap (wonderfully of course). The rest of the team are kinda your stereotypical Yanks to be honest. They are played as somewhat aggressive, eager to set traps and use guns, no real interest in learning from this marvel of nature. As I've already mentioned it's your typical giant gorilla scenario really, the gun-toting Yanks just wanna make big money and are completely blasè over little things like safety.
One good choice by Guest was to keep the Yeti hidden from view for almost the entire film. We only get to see little snippets of the animal, the odd hand, leg, arm, footprint etc...They don't reveal anything right up until the finale when we see a couple large lumbering humanoid creatures hidden by shadows. Then just when you think we won't see anything at all, we get a closeup of one Yeti's eyes and surrounding fur. I think this was perfect because chances are the entire Yeti suit may have looked crap, plus it leaves more to the imagination. I should point out that the bit of face we do see is actually pretty good, some very good prosthetic work (for the time).
All in all I was relatively engaged here, but I have to admit it was a tad slow. It is entirely predictable in every way and it's not really very creepy or eerie (probably because everything was light and white). I also didn't really like the last part of the story surrounding Rollason, bit silly. Its certainly a well made production with quality acting and direction all round, just not overly exciting truth be told. Still worth a watch if you like Hammer productions.
Hammer horror film starts off intelligently then digresses into endless shots of men hiking in the snow before actually showing one of the title creatures.
A typical monster horror film with passable story and acting, but very little sense of fear or adventure. Lays on the suspense thickly but to little payoff, and is very dated in its attitudes, special effects and scenery. There is some depth to the characters and story, but mostly, the film is dull and predictable with an abrupt ending.
Fun to think cinemagoers used to be scared by this sort of stuff. Expedition into the Himalayas finds Cushing and Tucker seeking out the Abominable Snowman for different reasons. Some strange casting with the Cushing role needing to be a bit more robust and Tucker a bit stereotypically American and probably an attempt by Hammer to attract overseas investment and audiences. Atmospheric at times and other times laughable with a silly monster who briefly appears(thankfully).
Visually pleasing, but overall predictable and bigoted.
One of the better Hammer Horror films by Peter Cushing (Grand Moff Tarkin from Star Wars Episode 4) that is based on the Himalayan myth.
It's has a lot of dialogue scenes that are repetitive & that must largely be due to the films shoestring budget.
It's one of those films building & building the great interaction with the beast but doesn't really deliver. The is some nice mountain scenes but this film fails to impact!
Hammer had been producing films for years before this one, but Hammer Horrors as we know them we're still very much in their infancy at this point. Even with Peter Cushing the lack of style and appearance that became key to the companies success in this genre is not here, and the fact it is in black and white does not help if you are aware of the very colourised iconic sets that became a staple in future years. This one looks cheap with cheap acting around Cushing.
Much like a certain amount of these early Hammer flicks this has more up its sleeve than what you might at first think. Without wanting to ruin the plot at all I will only say that it's not simply about a man in a big hairy suit chasing Himalayan explorers around a wobbly set filled with fake plastic snow. Actually some of the location work is very good, certainly better than even most modern movies set in extreme conditions. This honestly is not recommended for everyone, as it is showing its age in places, but Hammer fans should certainly give it a look as it is quite well made, and better than most B-movies from this period.
A classic and amazing early Hammer horror that is imaginative, suspenseful, and with a great monster. This is Hammer horror at its very best.