The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Una contundente ópera prima, narrada en forma fragmentaria a la manera de Amores Perros o Crash, que retrata con brutal honestidad la vida en un conflictivo vecindario de Jaffa. Estupendo elenco de actores no profesionales.
A confident contemporary crime thriller that, yes, may rely on perhaps a few too many plot coincidences to hang together, but otherwise offers a bracing insight into a troubled situation without hectoring us with insipid platitudes.
By showing how people fail to live together - in a film you could call Israel's City of God, with its sectarian-feuding story lent power and immediacy by improvisation and non-professional casting - Ajami shows how they might or should live together.
Ajami may be set in Israel, but at times it plays more like an American gangster drama. The film does address the ethnic and social tensions that run through the country, but it does so in a nuanced and refreshingly clear-eyed way.
While Quentin Tarantino used the narrative device to give his film a caffeinated jolt of hipster cool, co-directors Scandar Copti and Yaron Shani use it brilliantly to show the chaotic web of violence that traps Jews, Christians and Muslims alike.
A deceptive movie, one that introduces its characters in the heat of violence, allows us to make conclusions based on what we see, then shatters our assumptions in the telling of how that moment came about.
The performances are searingly intense, all delivered by non-professionals cast to type and extemporizing within the parameters of the script. They take the play out of acting, and the effect is unvarnished realism.