Alexander the Last (2009)




Critic Consensus: No consensus yet.

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Movie Info

A sensual and intimate portrait of a young marriage that focuses on an artistic young couple, "Alexander the Last" illuminates the challenges of monogamy amidst myriad sexual and creative temptations.
Drama , Romance
Directed By:
Written By:
In Theaters:

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Justin Rice
as Elliot
Amy Seimetz
as Hellen
Jane Adams (II)
as Director
Josh Hamilton
as Playwright
Jo Schornikow
as Bandmate
Molly Hawkins
as Actress
Kent Osborne
as Reggie
Alison Bagnall
as Costume Designer
Ellen Stagg
as Model
Randy Bell
as Sailor
Jade Healy
as Stagehand
Chris Trujillo
as Stagehand
David Lowery
as Stagehand
Kris Swanberg
as Stagehand
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Critic Reviews for Alexander the Last

All Critics (12) | Top Critics (3)

Alexander the Last, a 72-minute series of loosely connected scenes, follows an actress's lurching conversations and tentative gestures in life and the theater.

March 16, 2009
New York Times
Top Critic

At a slight 72 minutes, the DIY director's latest bout of psychosexual titillation (which is being made available on-demand in conjunction with its SXSW fest premiere) feels undercooked.

Full Review… | March 11, 2009
Top Critic

What looks like a drama of adultery turns out to be an exploration of how the spaces between people can separate them or join them, often at the same moment.

Full Review… | March 11, 2009
Entertainment Weekly
Top Critic

...a pretentious mess...

Full Review… | February 23, 2010
Reel Film Reviews

With its self-conscious references to the artistic process and to art itself (in a scene that wouldn't be out of place in a Godard project, a character reads Poe's 'The Bells,' almost in its entirety), this is Swanberg's most moving and impressive film...

Full Review… | November 5, 2009
Commercial Appeal (Memphis, TN)

Clearly a transitional film for Swanberg, with a more assertive authorial voice on the one hand and more tentative (and unspontaneous) work with professional actors on the other.

Full Review… | March 23, 2009
Not Coming to a Theater Near You

Audience Reviews for Alexander the Last


While Alex(Jess Weixler) is rehearsing for a play, her husband Eliott(Justin Rice) is on tour with his band. Jamie(Barlow Jacobs), a fellow actor in the play originally from Tennessee, needs a place to stay , so she offers him one of their couches. It is there that he comes to the attention of Alex's sister, Hellen(Amy Seimetz), a photographer. So much so, that he gets invited along to clothes shopping with the sisters. "Alexander the Last" is a soulful and sensual exploration of the conflict between the creative and personal lives of artists. While it might be easy to go with the whole reality versus fiction dichotomy, I think a better route would be a permanent versus temporary contrast.(That having been said, there is a bravura sequence where director-editor Joe Swanberg cuts back and forth between Alex and Jamie rehearsing a sex scene and Jamie and Hellen having sex.) Whereas marriage is expected to be permanent, a play's run or a band's tour is only for so long, before returning home to somebody special. After each project is completed, the artist moves on to the next project with a different set of collaborators. I think that's why marriages started while working on a film or television series never seem to last, no matter how intense the initial feelings.

Walter M.
Walter M.

Super Reviewer


A film that investigates intimate relationships, sexual temptation, and work that forces one to deal with uncomfortable personal issues. Alex (Jess Weixler) is an actress whose marriage to Elliot (Justin Rice), a musician, is on shaky ground, although they are obviously in love. Alex gets a part in a local stage production in which she must portray intimacy with her costar, Jamie (Barlow Jacobs), at the same time that Elliot leaves on tour. As the film unfolds, we see issues of trust, suspicion, and jealousy play out before us. Yes, it is not obvious that all this is going on, and there are times when this viewer wasn't even sure who was doing what to whom, but to say it was totally disjointed and incoherent is not fair to the film or the actors. This is not a prettily packaged, predigested bit of pablum. One does have to do some work here to connect the dots, but the film feels authentic, and the emotions are easily discernible. The dialog, unfortunately, seemed awkward rather than natural and was too obviously improvised. The film would have benefited from more direction on that score. The constant micro-managing by the stage director, played by Jane Adams, brought just a touch of humor to the production, just because it was so over the top meddlesome. The scenes with Elliot and his (female) band mate (Jo Schornikow), rather than adding another layer of sexual tension, seemed designed to bring music in as a natural element of the film, rather than as a mood enhancer. And the music, played by the actor/musicians themselves, was actually quite good. This was mercifully short at just over an hour, but seemed quite a bit longer, only because so little action really occurred.

Mark Abell
Mark Abell

Super Reviewer


It seemed superficial to me and I felt that it didn't really accomplish a story or a well formed plot.

Lovable Misanthrope
Lovable Misanthrope

Super Reviewer

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