The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Where the film excels is in capturing the quiet revelations in Marie's life over the few days it chronicles - revelations that represent the aftermath of choices made years before, when expectations were higher.
With his solar measurements and celestial allusions, the real-life environmental entrepreneur David Siskind gives the drama a cosmic context, and Swanberg-who is also the cinematographer-makes luminous images to match.
For a filmmaker whose work is mostly about the overdue onset of adulthood, it makes sense that Swanberg's first film to zero in on the subject of aging is only interested in middle age as the flipside of youth on the existential coin.
The film's nondescript depictions of quotidian life gel into a big-picture story of humanity's brief spark of presence in an infinite universe. That Swanberg and...Jane Adams do this without the least bit of pomposity is a pretty damn neat trick.