The Ballad of Buster Scruggs
Ant-Man and the Wasp
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All Critics (23)
| Top Critics (8)
| Fresh (15)
| Rotten (8)
Bale nimbly walks a fine line between Bobby's handicap and an increasingly mature comprehension of what he must do to survive.
A brave effort, certainly different, but all too emphatically an allegory.
Odd and banal.
Quite the off-kilter, half-baked eco-sermon to begin with, Thomas's movie crumbles in its last quarter or so like a stack of supermarket cans.
The adoption of 19th-century-melodrama conventions seems motivated mainly by a desire to tap into the emotional intensity they offer. I was enthralled by these tactics, but some viewers might gag.
[It] refuses to reduce its story to simple terms, and the visible story seems like a manifestation of dark and secret undercurrents. Even the ending, which some will no doubt consider routine revenge, has a certain subterranean irony.
Bale, with his embarrassed lisp and straight, slim back, is perfectly curious, perfectly amazed, perfectly different. His performance is quite beautiful, and whenever he is on screen, the film is melancholy and innocent.
Based on a 1969 novel by the late Walker Hamilton, this moody film is ravishingly beautiful to look at and refreshingly unlike the glib, movie-centric crime thrillers so popular with younger first-time directors.
Given his uncompromising work with the likes of Roeg, Bertolucci and Cronenberg, Thomas' directorial debut is surprisingly bland.
Christian Bale is utterly sympathetic and engaging as Bobby. He convincingly communicates both the simplicity and chaos of his character's personality and gives the film a strong emotional core.
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It moves from a Cinderella fairytale with Rain Man pathos to the good-versus-evil realm of daytime soap operas (minus the sexual content).
As Bobby(Christian Bale) tells it, due to being hit by a car as a child, his brain is not quite right and is unable to understand complex issues, leaving him in a childlike state and possibly vulnerable to the manipulations of his wicked stepfather(Daniel Benzali) after the death of his mother(Amy Robbins). That being said, mama did not raise any idiots, as Bobby firmly resists any efforts to sign away his mother's store, even under threats and his pet mouse being killed. So, Bobby does the only sensible thing by going for a long walk, before hitching a ride to Cornwall with a trucker(John O'Toole) who tries to run over a fox. In stopping him, Bobby causes the truck to crash before encountering Mr. Summers(John Hurt) who has more sympathy for a dead rabbit than the dead truck driver.
"All the Little Animals" has certain things going for it like excellent acting and pleasant scenery. And I like that the movie is about people attempting to live off the grid, especially the bit about the Travelers. But sadly, it takes a pedestrian approach to this potentially interesting material, which does not allow the viewer to fully grasp what the world looks like through Bobby's eyes, as the movie cannot decide whether the world of animals is less cruel than that of humans or that Bobby and Summers have their priorities thoroughly out of whack. That's not to mention the movie eventually falling into a cliched trap of a climax.
Um...pretty good. Good acting and all that, and the plot is certainly odd and enjoyable. The moral of the story is don't kill animals, just kill people if they deserve it. The step father acts in the last half hour of the film in ways that don't make any sense, especially in his demise. I must also add that I get tired of movies where the main character goes on about how perfect nature is and how bad people are (i.e. Instinct). What this guy doesn't get is that animals kill each other all the time, for food or for territory, or no apparent reason at all, that some animals need to eat dead animals to survive (so burying them only hurts animals), and that feeding mice and cockroaches so they don't 'steal' from you is really only going to increase the population of these creatures until they will steal from you. These mentalities are only fit for 'against the man' high school children and for environmentalists who have never stepped foot outside or read a book about how violent and unfair nature is. Ok, the end.
I am a big fan of Christian Bale and, for many years more, of John Hurt. They both do their very best with these characters and I'm certain that with less talented actors this could have been an abysmal film. There are noticeable flaws in the logic of the plot and some pretty tacky direction which in combination make it seem rather like a B-grade afternoon kids soapie.
Too many scenes are either unnecessary or painfully drawn out. It's very likely that some artful editing would have made a vastly superior 80 minute feature from this 112 minutes.
Being vegetarian and an animal lover, I felt some empathy for the main characters but there's not all that much depth to them. The evil step-father is portrayed as just too much of a villainous cliché.
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