It was also so nice to see how Fellini's childhood home and life were like. I'll be watching this one again.
I smile at some critics who can't see the sarcasm of this movie towards the fascist regime, because they allegedly don't see that they are bad. In their view the showcase of it ought to be violent, bloody and disgusting only. Poor liberal people.
With few exceptions, Fellini tends to prefer the truth of a moment rather than simply calling attention to the craft with flashy camera work. As such, "Amarcord" is not a flashy film, but it is bright, fun, well-intentioned, and gentle of spirit.
I've noticed that Federico Fellini's work tended to be more about finding detail and intimacy in the midst of a grand design. Every moment feels like a lavish set piece of costuming, subtext, writing, directing, and performance.
It's about fascism, young love, education, family, and the daily goings-on in a very specific Italian town. But you never feel the weight of those ideas unless he wants you to, because he's a master craftsman, and this is as confident a work as one is likely to see from him.
I don't entirely 'get' his films, I have to say but they never fail to leave an impression on me. His movies do have a wonderful look about them and he has a very distinct, eccentric Mediterranean style
The father calling his son "pezzo di merda" had me laughing hard.