The American (2010)
Critic Consensus: As beautifully shot as it is emotionally restrained, The American is an unusually divisive spy thriller -- and one that rests on an unusually subdued performance from George Clooney.
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as Father Benedetto
as Hunter #1
as Hunter #2
as Man on Vespa
as Old Cheese Vendor
as Waiter (Market)
as Young Swedish Man
as Hooker #1
as Hooker #2
as Hooker #3
as Barman (Town Square Bar)
as Watier (Locanda Grapelli)
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Critic Reviews for The American
At its best, the film's silence and unrevealing mood of observation remind you of 'The Passenger' or Paulo Sorrentino's 'Consequences of Love'...
This movie is so serious about its pretensions that none of it makes any sense.
A textbook thriller...The excitement of the movie comes from its technical polish.
While cinema-lovers can cheer a director willing to buck the fashion for sensory overload, The American can't rightly be called a success.
The good news, though, is that eventually The American does get to where it wants to be, and becomes a rather improbably but genuinely moving story.
If you're expecting a star-propelled thriller with the usual bob, weave and one-two punch, this isn't your ticket.
Audience Reviews for The American
Corbijn focuses on slowly building a suffocating tension in this quiet, contemplative and technically astonishing drama that grabbed me from the first scene till the very last - and it benefits from a more than appropriate low-key performance by George Clooney.
the more ive thought about this film, the more ive fallen in love with it. the american is a very non american film. in fact, if you dont have a lot of exposure to french or italian films, or if you do but you dont care for them much, you wont like this film either. the film really feels like an effective blend of antonioni and melville. clooney proves once again why he is one of our best actors, and the film has a wonderfully patient and cerebral tone and pace. the limited dialogue and character development drives me nuts in most american films, but it is a staple for european style thrillers, and with this stylized approach it works well. i cant say enough about how well this film was shot, and although some might not find the pacing effective it worked for me because of the classics of this mold that it reminded me of that i enjoy so much. there were a few moments where just a little more dialogue would have improved certain scenes and the film was not without a few of the cliches of this genre, but overall it stands as a personal favorite of mine.
A weapon smith specializing in custom rifles for assassination purposes falls for a beautiful Italian prostitute despite his extreme trust issues. The American is very much a thriller from the old school; it has a very 70s, continental vibe that reminded me a little of The Day Of The Jackal as the low key, almost laid back approach is a million miles away from the wobbly-cam and SFX orientated efforts of the ADHD generation. It is far more reliant on mood and characterisation and as such finds a perfect central performance from the ever reliable Clooney who can always be trusted to invest his time in projects of quality. His tentative relationship with Violante Placido side steps the usual saccharine of contrived cinematic romances and the story feels measured and honest without ever resorting to unnecessary visual spectacle. It looks fantastic and the air of subtlety and sophistication that permeates the entire film gives it a maturity so often lacking in modern cinema. Like Clooney himself, The American is intelligent, stylish and an all round class act.
The American Quotes
|Ingrid:||Why would you have a gun?|
|Jack:||Who were the Swedes?|
|Pavel:||I've made arrangements to leave town while I sort this thing out.|
|Mathilde:||Goodbye Mister Butterfly.|
|Mathilde:||Goodbye, Mr. Butterfly.|
|Pavel:||Don't talk to anyone, and above all, don't make any friends, Jack. You used to know that.|
|Clara:||You are a good man, but you have a secret.|
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