American Boy: A Profile of: Steven Prince Reviews
The way I felt when I was watching American Boy was anticipatory, expectant of some sort of culmination. Well, the anecdotes are increasingly personal, more and more poignant and evidently felt by the titular teller. End of movie. What I think Scorsese's intention was, aside from being determined to stay busy, involved embracing the slightest, most minute and everyday thing. The charm of the film is that we always expect much more out of a film, even the subtle and slight ones. But think about how many themes and meanings are buried within some of the most fleeting shots of a given Scorsese feature. Think about how much he can say in such a short breath, both with his films and in person.
He wants nothing more from us than to look and listen here. That's all. This guy, not a celebrity or a scholar or a notorious figure, just a dude. What's the situation? He's having his friend Marty over and Marty brought some of his own friends, and they have a camera and sound stuff. Martin Scorsese understands very clearly, much clearer than a lot of modern filmmakers, that a movie is exactly what it shows you, nothing more and nothing less.
A w historii Italian American poznajemy... rodzicow Martina Scorsese. Wow. I poznajemy historie, jak to ta rodzina trafila do wspanialej Ameryki. Mama niesamowita. Nie potrafi nie ruszac sie, chociazby przez 3 sekundy. Albo glowa, albo dlonie, oczy, nogi.. Cos musi byc w ruchu. To troche jak ja.
Recollections that include a Marihuana-Gorilla bit, Jack the Cop, a drug bust; the revival of a woman after an overdose, which was later taken by Quentin Tarantino for 'Pulp Fiction'; and another bit that was taken by Richard Linklater for 'Waking Life'