An Alan Smithee Film: Burn, Hollywood, Burn (1998) - Rotten Tomatoes

An Alan Smithee Film: Burn, Hollywood, Burn1998

An Alan Smithee Film: Burn, Hollywood, Burn (1998)



Critic Consensus: A witless Hollywood satire whose hammy, obvious jokes are neither funny nor insightful of the movie business.

An Alan Smithee Film: Burn, Hollywood, Burn Photos

Movie Info

The existence of Alan Smithee is one of Hollywood's biggest non secrets. The director of over 30 feature films, he was born, or rather created, as a pseudonym in 1967 for the film Death of a Gunfighter (which was not released until 1969). He owes his creation to Hollywood directors (and sometimes actors and others involved in the creative process) who feel that a project has been wrongfully over-edited, or is just too embarrassingly bad to merit their names upon it. The Director's Guild carefully regulates the usage of the famous pseudonym. Some believe the name is an anagram of The Alias Men, while others contend that the name was chosen because of its uniqueness -- no one in the world could possibly be named Alan Smithee, right? Wrong. The premise of this filmed attempt, by screenwriter Joe Eszterhas, to rake Hollywood over the coals is that there really is a Smithee (Eric Idle) and he has just finished his latest epic actioner Trio, which stars Sylvester Stallone, Whoopi Goldberg and Jackie Chan (these three are the first of several star cameos occurring throughout). Unhappy that domineering, egomaniacal producer James Edmunds (Ryan O'Neal) -- who only hired Smithee because he thinks the director's an easily-manipulated sap -- has ruined Trio by over-editing it, Smithee goes to the Director's Guild to see about having his name removed from the credits. This proves problematic, for how can "Alan Smithee" be used if that is the director's real name. In desperation, the filmmaker kidnaps the negative of the $22-million movie and ultimately burns it. This act lands Smithee a spot in the Keith Moon Psychiatric Institute in England. It is from there that Smithee tells his version of the tale to investigators assigned to "autopsy" the film. His account is what comprises the bulk of the plot. One of the film's treats is to look for stars such as Billy Bob Thornton and Sandra Bernhard, and Hollywood honchos, notably Miramax big-wig Harvey Weinstein, in cameo roles. There are also numerous inside jokes for film buffs. Ironically, the film's real-life director Arthur Hiller had his name removed from An Alan Smithee Film because he didn't like the way in which Eszterhas recut the film. Eszterhas and Hiller swear that this was not a publicity stunt, but it does make one wonder.

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Critic Reviews for An Alan Smithee Film: Burn, Hollywood, Burn

All Critics (40) | Top Critics (10)

The level of humor could be called sophomoric, but that would insult most sophomores.

March 25, 2013 | Rating: 1.5/4 | Full Review…

A comedy without laughs, an expose without point.

March 25, 2013 | Rating: 1.5/4 | Full Review…

What turns the witlessness rancid is the way the movie is saturated in the very corruption it thinks it's ridiculing.

September 7, 2011 | Rating: F | Full Review…

A caustic but under-funny "expose" of the venality of the motion picture business.

July 20, 2009

If you harbor an interest in watching so-called "industry smarts" autodestruct, this carries a certain morbid appeal, but that's about the extent of it.

July 20, 2009 | Full Review…

Burning is too good for such a wretched fiasco; only a surgical nuclear strike could suitably destroy what has to be one of the most enervating comedies ever made.

February 14, 2001 | Rating: 0/5 | Full Review…

Audience Reviews for An Alan Smithee Film: Burn, Hollywood, Burn

Unfunny mockumentary.

Lucas Martins
Lucas Martins

Super Reviewer

Fairly funny faux-doc about a fake movie. Also contains an insane amount of cameos.

Ken Stachnik
Ken Stachnik

Super Reviewer

A so-so soundtrack can't keep "Burn, Hollywood, Burn" from being unmemorable, uneventful, repetative, thrown together and dull with unfunny jokes that range from obvious to offensive, leaving it to be an absolutely expendable concauction and an unbearbly boring, offensively unfunny and above all, disgustingly pretentious disaster of one at that.

Cameron Johnson
Cameron Johnson

Super Reviewer

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