Mary Poppins Returns
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All Critics (21)
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Fans will have most of it memorized by now.
All good stuff.
A kind of insane logic seems to connect the sketches, if you look hard enough, but mostly the movie seems to exist in the present and be willing to try anything for a laugh.
Essential viewing for fans of Monty Python and British comedy, this film consists of some wonderful sketches, even though Terry Gilliam doesn't appear in them.
Best of Monty Python sketches in one neat package.
A collection of deliberately unlinked comedy sketches and animated filler, the film is a workable sampler of the group's humor.
Although the cast is brilliant and the material generally funny, the film fails to take advantage of the big-screen format.
However, by refilming the sketches for a cinematic format, with new editing, camerawork, close-ups ... yet without the give-and-take energy of a live studio audience, what on TV was seat-of-the-pants fresh is here flat and overproduced.
Old-school fans will dig it, and Python newcomers will see what all the fuss is about.
Como toda antologia, tem momentos mais e menos inspirados, mas, de modo geral, impressiona por sua inventividade.
The first feature-length Monty Python film is a collection of some of their best bits from the show.
Monty Python's best known sketches reshot and compiled on film, with slight variations and occasional profanity. Great sketches, but a rather pointless exercise.
This was the first feature length Python movie, an anthology movie that was made up of well known sketches that the crew had done on their TV show, Monty Python's Flying Circus (the first two series). Apparently the main goal of this movie was to break the boys into America, introduce the States to their cult British humour. The film is made up of a variety of famous sketches that had previously been seen on TV but re-shot without an audience and, apparently, with a lower budget. Knowing this actually surprised me because I've always thought this film (and the sketches) looked pretty glossy in a way, the smooth transitions, the more cinematic approach and in some aspects bigger better locations. I don't recall the original series too much as I haven't seen it since I was a kid but I always thought the series looked way more shabby than this.
Its actually amazing to read that some sketches or effects couldn't be recreated for this film because the budget was so low! This makes me wanna go back and watch the TV show to see the differences. Anyway, despite those revelations I've always liked this compilation of classic Python material and seen it as (almost) the definitive versions of the sketches, although that's probably because I grew up with this movie rather than the TV show (will somebody please fondle my buttocks!).
Watching this today as an adult many things have obviously changed, firstly, I actually understand all the gags now, all the little cheeky lines and quips are loud and clear. Its amusing to watch and remember back in the day when I didn't understand certain scenes or dialog. They totally flew over my head and I only enjoyed them mainly because I knew it was silly and because my dad was laughing. Its also quite shocking and hilarious at how offensive this movie actually is in places, its things like this that, back in the day, were virtually normal, maybe slightly taboo, but generally accepted in comedy. Watching now and its incredible! obviously you'd never get away with it. I'm pretty sure the camp soldiers on drill would be lambasted these days, also certain lines are clearly racist...'did you see who moved in next door?', 'oh yes, black as the ace of spades', 'Oh well, there goes the neighbourhood', blimey!
Its also funny to mention as early sketch which starts out with the narration...'In 1970 the British Empire lay in ruins, foreign nationals frequented the streets, many of them Hungarians'. Now is it me or, apart from the fact its Hungarians, the date of course and the sarcasm, this silly statement has actually come true! just replace Hungarians with Polish, Romanian and Bulgarian. Anyway, aside from the awkward, yet admittedly funny, offensive bits, there are of course all the main humdingers that we all know and love. The all time classic dead Parrot sketch with Cleese and Palin, 'nudge nudge, wink wink' with Idle and Jones, the lumberjack song with Palin, how to defend yourself against a man armed with a banana etc...Next to that you of course have the slightly longer skits that form small stories and offered a glimpse into the brilliant future of Python movies that had yet to be made. I actually preferred these at times as they felt more complete, obviously, like tiny comic strips with little tiny story arcs. In this movie the best of which are easily the 'Upper Class Twit of the Year' competition and the 'killer joke', which I reckon could of been made into an entire movie.
But wait! who could forget about those off the wall and quite often gruesome little animations from Gilliam. These were a real highlight for Monty Python, I especially liked them as a kid for obvious reasons. The whole concept just added a completely new layer to the proceedings, the teams surreal comedy could be expanded and more risky with the use of adult cartoons, they looked cheap and tacky, but at the same time so very well created. The almost shabby, bare bones, crude methods used for these little animated moments feel very much like a precursor to [i]South park[/i] if you ask me, it definitely seems that way, but the fact that some of the cartoon animations (and the style) have become just as big as the live action sketches goes to prove how fantastic they were. Everybody knows a Monty Python cartoon image when they see one.
All in all, even though this film could be looked upon as not entirely classic Python seeing as they remade everything from the original series for the cinema, and to some people that might cheapen or water down their act, the film has managed a cult following. Although, I must say, with all the various incarnations of their famous sketches, they can start to feel tiresome on occasion, I have often found one specific version of a sketch to be the best with many others missing a beat. Anyway being the first Python movie this naturally holds a special place in most fans hearts and its still an excellent spicy little ride. Application forms for lion tamer are available to all those with the proper qualifications only, thank you.
Full on Python brilliance without the restraint of scripts or plot. Full review later.
And Now For Something Completely different is a compilation from the Monty Python team comprised of some of the funniest moments from their early work and as such doesn't really feel like a "movie". But the sketches are genuine classics as Python pretty much invented the non sequitur and introduced the comedy of the absurdly surreal to the mainstream. The biggest problem of course is the sheer familiarity of it all but the talent involved are amongst the best in the business and it's amazing how a skit that I know, and have known for the better part of two decades, word for word can still make me laugh. Some of the jokes have fared better than others over time, but the highlights are true all-time comedy classics and it's worth it for Terry Gilliam's desecrations of artistic masterpieces alone!
Produced in 1971 on a shoestring budget with the aim of breaking the Python team in the States (which eventually happened when the TV series began running on PBS), this film consists of classic moments from the first two series of Monty Python's Flying Circus, lovingly reprised, and in some cases improved upon. The 'Vocational Guidance Counsellor' sketch with Michael Palin's chartered accountant who wants to be a lion tamer is certainly better than the TV version, as is the bank robber in a lingerie shop sketch, which is performed here in such a dry, straight-faced, understated way, it makes me laugh every time. There are lots of other classics to enjoy - the dirty fork, Hell's Grannies, the Upper Class Twit of the Year show, Blackmail, camp square-bashing, the Killer Cars...if you can look past the obviously low budget (the sound mix makes some scenes sound as if they were recorded in a cake tin), you'll find one of the most tirelessly inventive sketch comedies of all time. And remember, it's NOT pining, it's passed on!
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