Another Woman (1988)

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Critic Consensus: No consensus yet.

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Movie Info

A middle-aged university administrator begins to eavesdrop on her psychoanalyst neighbor, and develops a particular fascination with one patient, a younger woman suffering from marital problems. These sessions lead her to recall a former love affair and reevaluate her own life in this reflective drama from director Woody Allen.
Rating:
PG (adult situations/language)
Genre:
Drama
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:
France 2 Cinéma

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Cast

Gena Rowlands
as Marion Post
Mia Farrow
as Hope
Gene Hackman
as Larry Lewis
Ian Holm
as Dr. Ken Post
Martha Plimpton
as Laura Post
John Houseman
as Marion's Dad
Sandy Dennis
as Claire
David Ogden Stiers
as Young Marion's Dad
Kenneth Welsh
as Donald
Bernie Leighton
as Piano Player
Michael Kirby
as Psychiatrist
Jack Gelber
as Birthday Party Guest
Dana Ivey
as Engagement Party Guest
Fred Melamed
as Engagement Party Guest/Patient's Voice
Alice Spivak
as Engagement Party Guest
Heather Sullivan
as Little Marion
Stephen Mailer
as Young Paul
Josh Hamilton
as Laura's Boyfriend
Kathryn Grody
as Cynthia Franks
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Critic Reviews for Another Woman

All Critics (20) | Top Critics (7)

Film that emerges is brave, in many ways fascinating, and in all respects of a caliber rarely seen.

Full Review… | March 23, 2009
Variety
Top Critic

A piece of posturing phoniness designed to awe spectators who like their psychodramas third-hand and upscale.

Full Review… | March 23, 2009
Chicago Reader
Top Critic

Rowlands' perfectly pitched approach to a demanding role is particularly stunning.

Full Review… | June 23, 2006
Time Out
Top Critic

Mr. Allen is becoming an immensely sophisticated director, but this screenplay is in need of a merciless literary editor.

Full Review… | May 20, 2003
New York Times
Top Critic

Film is the most voyeuristic medium, but rarely have I experienced this fact more sharply than while watching Woody Allen's Another Woman.

Full Review… | December 31, 1999
Chicago Sun-Times
Top Critic

The storytelling is fluid and dramatic -- almost theatrical -- the film glows with light and the design is economically artful.

Full Review… | December 31, 1999
Washington Post
Top Critic

Audience Reviews for Another Woman

Not a film for everyone, but one that's well written and affecting, with some good performances on show.

Sophie Burgess
Sophie Burgess

Super Reviewer

½

Slow think piece but a dynamite showcase for the great talents of Gena Rowlands.

jay nixon
jay nixon

Super Reviewer

It's no secret that Woody Allen idolized Bergman (which shouldn't come as much of a shock, since lots of people, myself included, share the same sentiment). He has tried, with mixed results, to make a true homage to the legend with Interiors and September, but with Another Woman, he finally made a film that not only hits the examining, existential notes that Bergman hit routinely, but one that remarkably feels like a Woody Allen film in terms of its incredibly astute screenplay and beautiful staging. Some have called Another Woman a Wild Strawberries remake, but I would argue that it isn't a remake as much as it is a reimagining, or more to the point, a "repurposing" of the Bergman classic. It is a story of a university professor, played SPECTACULARLY by Gena Rowlands, in whom something stirs when she overhears a therapy session with a young 30-something woman who is discontent with her life. The professor, Marion, feels an emptiness rise inside her -- an emptiness that had settled there years before, that she can consciously feel now. Little by little, like in Interiors but better plotted in Wild Strawberries, the world she has constructed for herself, a cold, cerebral world, deconstructs. Marion despairs, enters into conflicts with herself, and questions endlessly trying to reason her way out of her malaise. But the cure for her malaise is not rational resolution and she, realizing that her strongest characteristic (namely her rational intelligence) is not enough to untangle what worries her, finds herself entirely helpless in the face of an unraveling existence. Her drama is very much like the drama of Professor Isak Borg from Bergman's film, a man on his way to receive a medal for his lifetime achievements. And, on the road, he also succumbs to the same malaise as Marion, the same questioning and the same painful re-evaluation. The horror shared by both Marion and Professor Borg, of course, is that despite their highly lauded accomplishments and their intellectual self-satisfaction, they feel a void. There must, in other words, be something else to life than strictly intellectual work, however satisfying it may be. Another Woman is a testament to the fact that Woody Allen was still at the top of his game in the late 80s. It is a brilliant, honest and perceptive film. It makes one wonder how different Bergman's films would have been if he didn't dismiss the visual sophistication that Allen spent most of his early career developing. In addressing the criticism of Another Woman, sure, a few beats feel contrived and forceful, but considering the heavy questions being posed, and the unrelenting commitment that Allen has to the material, this film had plenty of opportunities to fall flat on its face, and to its credit, it never does. In fact, it excels thanks to a fantastic script, brilliant performances, and a wise small dose of visual styling. This is Woody Allen at the height of his powers.

Jonathan Hutchings
Jonathan Hutchings

Super Reviewer

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