The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Antibirth feels more like an anti-film, a piss-poor assembly of remarkable cult actors and brazen narratives that start off divorced without ever being married. What a disappointing, irrelevant misfire.
With its garish colour palette and sugar-high energy level, Antibirth sometimes resembles a cinematic glass of Kool-Aid. But successful films, unlike powdered drink mixes, require more than just throwing a few ingredients together.
A relentless hyperchromatic trip from altered state start to Cronenbergian and Lynchian finish, Antibirth might be a good film, it's just difficult to coherently justify exactly why. Cult superstardom awaits.
Watching Lyonne smoke and drink the trimesters away reminds one just how much her absence from the big screen has been missed. She's pretty much the whole show until the arrival of Meg Tilly whose performance...ranks as one of the year's finest.