Appointment With Danger (1951) - Rotten Tomatoes

Appointment With Danger (1951)





Critic Consensus: No consensus yet.

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Movie Info

In this film, Al Goddard, special investigator for the U.S. post office, is assigned to collar two criminals who've murdered a postal detective. Goddard must first locate the only witness to the crime, attractive young nun Sister Augustine.

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Alan Ladd
as Al Goddard
Phyllis Calvert
as Sister Augustine
Jack Webb
as Joe Regas
Paul Stewart
as Earl Boettiger
Stacy Harris
as Paul Ferrar
Harry Morgan
as George Soderquist
David Wolfe
as David Goodman
Dan Riss
as Maury Ahearn
Harry Antrim
as Taylor, Postmaster
Geraldine Wall
as Mother Ambrose
George J. Lewis
as Leo Cronin
Paul Lees
as Gene Gunner
Sid Tomack
as Trainman
Harry Tyler
as Brakeman
Sheldon Jett
as Fat Man
Bruce Wong
as Chop Suey Restaurant Proprietor
Ernö Verebes
as Window Dresser
Fritz Feld
as Window Dresser
Russell Saunders
as Gary Policeman
Ralph Sanford
as Wilder Bartender
Bill Meader
as Sharkey
John Whitney
as Postal Inspectors
Herb Vigran
as Policeman
Pat Lane
as Policeman
Jerry James
as Policeman
Ann Tyrrell
as Secretary
Frank S. Hagney
as Motorcycle Cop
Byron Barr
as Policeman
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Critic Reviews for Appointment With Danger

All Critics (2) | Top Critics (1)

Appointment With Danger not only proves that crime does not pay but that it can be interesting to observe.

Full Review… | February 10, 2007
New York Times
Top Critic

Routine hardboiled crime thriller about a postal heist and murder.

Full Review… | February 7, 2007
Ozus' World Movie Reviews

Audience Reviews for Appointment With Danger

You See, It Was the Best Netflix Instant Play Had Harry Morgan died today. He was ninety-six. He's been a major part of my life as long as I can remember. I was six when [i]M*A*S*H[/i] went off the air, and by then, the family was watching it both new and in syndication. He was also in a lot of the movies that mean a lot to my family--three live-action Disney movies. [i]Support Your Local Sheriff[/i] and [i]Support Your Local Gunfighter[/i]. The 1987 [i]Dragnet[/i], not to mention the 1967 TV series. (Mom's a fan of that latter.) And of course, he was in all sorts of classic films, from [i]High Noon[/i] to [i]Inherit the Wind[/i]. But I've done both of those. I've done [i]Dragnet[/i] and [i]Support Your Local Sheriff[/i]. Not [i]Gunfighter[/i], but I'm not much of a fan of [i]Gunfighter[/i]. And Rotten Tomatoes has "Goodbye, Farewell, and Amen," but I haven't watched it in years. So I searched Netflix Instant Play, and here we are. One dark and stormy night, a nun (Phyllis Calvert) sees two men (Morgan and Jack Webb, of all people) "helping a drunk friend." She mentions it to a policeman, who is unfortunately required to go chase a speeder before he can look into it. The "drunk friend" turns out to work for the US Postal Service, and in point of fact they've killed him. The USPS sends out Al Goddard (Alan Ladd), Detective for the United States Postal Inspection Service. He goes undercover in search of the Bad Guys, who are led by the ominous Earl Boettiger (Paul Stewart). He inveigles his way in, though Boettiger doesn't trust him. They're also in search of the nun who saw it all, and it's not because they want to join her prayer circle. Goddard has to simultaneously figure out what their plans are, protect Sister Augustine, and ensure that the Mail Goes Through. And honestly, that's about as much as I kept track of. It's a B-picture sort of film with an A-list star. It turns out that the death of a postal employee, especially in the course of duty, is a federal crime actually investigated by the US Postal Inspection Service. The crime here goes even beyond that and eventually turns out to include Stealing From the Mails (which got Charlie Manson busted once upon a time), so but all it really took was one postal worker's death while at work. (There's a [i]Law & Order[/i] where they investigate the death of a postal worker while on duty, as I recall, but [i]Law & Order[/i] often got involved in complicated jurisdictional issues.) Admittedly, it's not the agency you think of, when you think of daring agencies around which to center movies, but there was this perverse tendency to do that in the '50s, to do movies about the more obscure law enforcement agencies in the US. You'd get dramas about the Secret Service, and not about the protecting the President angle. About fighting counterfeiting, which is the other thing the Secret Service does. What was far more odd was seeing Harry Morgan and Jack Webb as the heavies. Jack Webb was already on the radio version of [i]Dragnet[/i], the role for which he was known best, but Harry Morgan was only a minor character actor not well known for much of anything yet. He wouldn't join the cast of [i]Dragnet[/i] for sixteen years and [i]M*A*S*H[/i] for eight years after that. Audiences at the time probably would have found it a little odd to have the voice of Joe Friday--the show wouldn't air on TV for several months yet--act as a crook, but they had no mental connection between Morgan and Webb. Whereas the first thing someone with my cultural markers notices is that Joe and Bill were murdering a guy in full view of a nun, and that's just weird. It is the eternal problem with watching older movies. We can't know where the future is going to take us [i]or[/i] our pop culture figures. I admit I don't know if it's just a weird coincidence or if Webb remembered Morgan and brought him on in later years, but it's still jarring. Mostly, the movie is forgettable. It's not the best tribute to Harry Morgan available, though it was the best available on short notice. I'm also watching season five of [i]M*A*S*H[/i], but again, the only part of the TV show it'll let you review is a few seasons beyond that. I think Harry Morgan was one of the greatest character actors of his generation, along with Eli Wallach (who turns ninety-six today), and I think we were very lucky to have him. I'm given to understand that he was the best of the [i]M*A*S*H[/i] cast members at making the other people in a scene break up, ruining the take. He was, however, a great straight man. He said he wasn't sure if being on [i]M*A*S*H[/i] made him a better actor, but he said it made him a better man. He was in some of the great social dramas of the twentieth century. He knew that you couldn't even taken your own iconic roles too seriously, hence his appearance in [i]Dragnet[/i]. He hasn't done anything in a long time, but it was always nice knowing he was there.

Edith Nelson
Edith Nelson

Ladd busts a mail robbery in the most complicated manner imaginable. Marred by subplot involving a nun. Nuns have no place in cinema because they are boring and make me reach for the remote immediately.

VJ Boyd
VJ Boyd

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