Long khong (Art of the Devil 2) (2005)
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Audience Reviews for Long khong (Art of the Devil 2)
Pues una muestra mas de la larga linea creativa que hay en el cine de horror oriental sin duda lo prefiero al gringo por algo los de hollywood hacen sus remakes de estas películas pero sin obtener los mismos resultados en cuanto a trama esta producción es sencilla un grupo de amigos van a la casa de uno de ellos y esa noche experimentan sucesos extraños que terminan en horrorosos desenlaces sin duda para estomagos fuertes http://cineptimoarte.blogspot.mx/
"Long Khong(Art of the Devil 2)" is a creepy, gruesome and gore tale of witchcraft and insanity. The story is really scary with good twist, and has some nasty and cruel scenes. The screenplay is very well tight, with good lines. The direction is very precise, the special effects goes from good to decent, and the cast delivered performances. In my opinion the BEST of the trilogy!
This is standard Asian shock horror (or Asian Extreme as the dsitributor would like you to label this genre of new ultra-gory ultra-absurd, yet incredibly realistic towards the portrayal of absurd violence, movies).
I liked the first 'Art of the Devil'; the story/script, as is typical for Asian shock imports, is much more amped, with more twists, and certainly more characters than the first movie, and certainly more than an American audience would get in a ported release. Instead of one twist in your typical shite American scareflick, you get about five. Instead of one character with a dark past, the majority of main characters have bloody and nasty secrets. And I say "gimme more, more, more" because that's the way this genre works. Americans screw up imports of similar titles to this by simplifying the plot (less writers to pay), scaling down the amount of characters (less actors to pay), copying the gore scenes essentially cut for cut, but then KEEP all the plot holes and continuity errors and DROP the consistent pacing, which in a "gorefest", these plot/script flaws are only excusable when they are done to the max as in Asian horror. So mindfick me all you want, just do it as much as you can, like this movie does, or else the movie will suck. The only annoying thing in this movie is that it is dubbed instead of subbed, but I'd rather that over a full-blown American ported version anyway.
I love the aesthetic qualities given to the production design of the blood, ghosts, and, in this movie, featured amphibians and aquatic life. I don't know why, but Asian directors just have a better grasp of what makes a f-ed up scenario look as f-ed as it actually is; meaning I think the kills are amplified and beyond the reach of your typical Dimension or Lions Gate trash. Even compared to the elaborate, and my only favorite of the series, Saw 3, the inventive diabolical behavior and mutilation is effectively executed in this movie to scare or stun me, as oppposed to me laughing at it (I'm talking about Eli Roth And Darren Lyn Bousman in particular here).
I've rated this the same as its predecessor, but I do think it is better and you don't have to see the first to understand this one. The premise is: people put curses on each other and no characters from the two movies cross over so feel free to skip the first, as it is slower paced. While the first really pays off all around, in the non-violent and grotesque scenes, this movie only shines for the grotesque, which is more abundant and equally creative, though if you like this, you must see the first, at least fast forwarding to all the kills, particularly the "snails" murder which is stunningly shot. In this one, the top murder is...tied between the "hooks" and "newts" scene. It's really badass. You gotta see this, horror fans. "So Fucked Up" highlight: finding out what's in the fish soup
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