The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Argott beautifully explicates how this crew pulled off the most daring daylight art theft in history, though his passionate identification with the pro-Barnes faction limits the movie's political nuance.
Barnes might be only one man, but The Art of the Steal shows exactly what happens when politicians become too hungry with power and heavily infringe upon our private lives. Now I guess I can see why the Tea Party is all up in arms.
While The Art of the Steal makes a very convincing -- even bone-chilling -- argument... the film fails to even ponder why easier access to some of the world's greatest art treasures might not be an entirely bad thing.
That tens of thousands of years of human and cultural progress could manifest itself in a single human being... and be obliterated in less than a half-century by commoditization to the advantage of public and private power-brokers is the great tragedy.
It's a tangled web spinning so far out of control if it were fiction no one would ever have believed it to be possible, die hard conspiracy theorists likely to find the scenario too outlandish even for them.
It's impossible not to be moved by the almost eerie film footage of the walls of the Barnes' original home with the art removed, revealing bare hooks and patches of unfaded paint: ghosts, doomed to wander.